Oxford University Press

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fro...

TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slide...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

This is a stirring arrangement of the gospel classic I am on the battlefield for my Lord by Robert L. Jefferson for unaccompanied mixed voices, with two idiomatic solos. Jefferson's characterful arran...

This is a stirring arrangement of the gospel classic for unaccompanied male voices, with two idiomatic solos. Jefferson's characterful arrangement of the familiar melody features swing rhythms, jazz h...

A Tagalog folk song for TTBB unaccompanied - Tagalog is the major language of the Philippines, related to the Indonesian language.

for tenor soloist and TTBB choir, unaccompanied. Very effective, this arrangement using gently blending vocal lines evokes wonderful imagery.

This large-scale work sets a poem by American writer and civil rights activist James Weldon Johnson that depicts the Creation story. The accompaniment is scored for full orchestra or small ensemble; s...

160 progressive exercises to introduce simple sightsinging.

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

Graded cello sightreading exercises, including tips on improving sightreading technique. Book 2 includes 60 short melodies and covers grades 6 to 8.

Each of these 'etudes is a miniature evocation of an American place and mood, written to help cellists learn in contemporary styles of jazz, blues, folk, and more. Technique certainly won't be dull wi...

For unaccompanied viola

The story of the journey of Mary and Joseph to the stable in Bethlehem, set against a bleak winter landscape. An accompaniment for small orchestra is available on hire.

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting and enigmatic medieval poem. The style is akin to folk ballad,...

Bob Chilcott's arrangement of the Sussex Carol is a sprightly setting in 7/8. The verses are heard in unison, followed by two- and three-part canon, set against a cheerful piano figure. In the final v...

Combining texts by Christina Rossetti and Robert Burns, the composer imbues both themes with a sense of happiness and contentment with the world, and the interplay between the melodies results in a tr...