Oxford University Press

This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral f...

For SATBB unaccompanied. A series of superb anthems spanning one of the greatest periods of English music. The anthems reflect many stuyles ranging from simple four-part chordal anthems to elaborate m...

SATB unaccompanied. A fine four-part motet for Christmas.

One of the simplest and best-loved of 16th-century anthems.

Orchestral material is available on hire. Also available in Carols for Choirs 3. A different arrangement for SSA unaccompanied is in Carols for Choirs 4.

Silence and Music by Ralph Vaughan Williams is a poignant masterpiece of English choral literature for unaccompanied mixed choir (SATB). Setting an evocative poem by Ursula Wood (later Ursula Vaughan...

This subtle setting of the popular carol is soft and gentle, never louder than mezzo-piano. The ethereal background starts in a high register with a repeated figure that evokes tranquility. A differen...

For SSAATTBarB unaccompanied - Descendi in hortum meum is an original setting of the Song of Solomon, unique in that it is arranged for seven voices while still capturing the lush and beautiful essenc...

Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.

A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background.

Out of the depths is a reflective, homophonic, and beautifully written work. The choral parts are very accessible, yet the resulting sound is rather sophisticated and thoughtful. This setting of Psalm...

For SATB with optional solo, unaccompanied. This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos, and, towards the end, the rest of the choir si...

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

pour chœur SATB sans accompagnement, avec solistes soprano et ténor

All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus. Wertsch uses the full range of dynamics and so adds intensity and variety to the vers...

Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt, this is the original a cappella version of the well...

John Sheppard's Verbum caro factum est is perhaps the most magnificent of his Responds, as befits its Christmas context. The music alternates between polyphony and plainchant, and the text is one that...

SATTBB unaccompanied Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing, with sinuous stepwise motion and persistent imitative entries. The optimism o...

SATB unaccompanied. In this short, strophic, and effective introit Helvey has taken a children's folk melody and arranged and adapted it to fit the text of Mary Louise Bringle's poem. The result is a...

For SATB unaccompanied. This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike, oscillating two-note cell which threads th...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

For SATB unaccompanied. New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral g...

This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending, all verses may be sung to...