G. Schirmer

The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song, with some of the...

The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song, with some of the...

An impressive tutor aiding the singer to develop a dexterous technique with accurate intonation over the course of scales and embellishments, through a course of progressive exercises and studies.

For High Voice and Piano, setting the text of Henry Vaughan.

From the Comedy-Opera 'The Firefly' by Rudolf Friml. Words by Otto A. Harbach. Version for High Voice and Piano in E major.

A setting of text from St. Matthew's Gospel. Version for High Voice and Piano (or Organ), in the key of E Flat.

Version for High Voice and Piano in C Sharp Minor.

The Lord's Prayer, scored for High Voice in Eb and Organ.

This setting of Psalm 23 (The Lord is my Shepherd) for solo voice is far more musically and technically demanding than the well-known choral settings, yet it retains the same sense of tranquility.

A setting of the poem written by Daniel Twohig. Arranged for soprano and tenor by Kenneth Downing.

Duet for Two Sopranos (Or Soprano and Mezzo-Soprano) and Piano. From John Corigliano's stunning opera, The Ghost of Versailles, with a libretto by William M. Hoffman.

This duet, from the opera The Newport Rivals, has an inspirational and poetic text about love that would not be out of place at a wedding.

American composer Virgil Thomson's Duet for Soprano and Baritone Voices is a setting of Jack Larson's poem which describes wittily the nature of the Cat through a cautionary tale.

G. Schirmer Concert Band - Grade 3-5 Samuel Barber's landmark 1948 piece for soprano and orchestra, a setting of poetic, nostalgic prose by James Agee, has been transcribed for soprano and concert ban...

Samuel Barber's landmark 1948 piece for soprano and orchestra, a setting of poetic, nostalgic prose by James Agee, has been transcribed for soprano and concert band in this new edition, making it acce...

Grades 4-5

Taken from Ellington's renowned suite Black, Brown and Beige, the song 'Come Sunday' has become an acknowledged standard in its own right. With lush scoring and beautiful harmonies, here is a marvelou...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski 's two-movement Sonata For Alto Saxophone has become a standard in the Saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accompaniment,...

An early Sheng work based on ci love poetry from the eastern Chinese city of Hang Zhou. Ci poetry was written with music in mind and intended to be sung.

Husa writes: 'The composition of Apotheosis of this Earth was motivated by the present desperate stage of mankind and its immense problems with everyday killings, war, hunger, extermination of fauna,...

The first performance of Messiah took place at the New Music Hall in Dublin on April 13, 1742. It was received with huge acclaim, the Dublin Journal proclaiming that 'Messiah was allowed by the greate...