Edition HH Limited

These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...

These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...

Seyfried uses the same key as the Requiem, its distinctive orchestral sonority and quotes two passages from Mozart's work prompted by clauses in the liturgical text. The 'Libera me' was widely used in...

Seyfried uses the same key as the Requiem, its distinctive orchestral sonority and quotes two passages from Mozart's work prompted by clauses in the liturgical text. The 'Libera me' was widely used in...

Haydn’s Symphony No.94 was first performed on 23 March 1792 at the Hanover Square Rooms under the direction of Salomon as concertmaster with the composer himself at the fortepiano. The work was an ins...

In Hope has been written for Pixels Ensemble. The first performance will be given at a concert of Stephen's work in the Angel Field Festival at Liverpool Hope University in June, 2021. The event, mark...

Diogenio Bigaglia's dramatic cantata Plutone e Proserpina for soprano, contralto, strings and continuo, composed around 1710 by this Venetian Benedictine monk highly esteemed as a composer by his cont...

The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

Nicolas Mori's arrangement of Beethoven's 7th Symphony was published in the 1820s by Elizabeth Lavenu, widow of the London violinist and publisher Lewis Lavenu, who died in 1818. She married Mori, a v...

A forgotten quartet attributed to Haydn and largely ignored for 200 years. Issued in Vienna in 1787 by Haydn's favoured publisher, Artaria, the title page claims that it was both composed and arranged...

The cantata Pallidetta viola has come down to us in five non-autograph manuscript sources respectively preserved in Genoa, London (two MSS), Paris, and Pavia: the transmission of the musical text of t...

The so-called ‘Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

The so-called ‘Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

This simple eight-part setting of a fifteen-century text has a timeless quality and is a fitting addition to the Christmas repertoire. The haunting melody captures the spirit of this ancient text, whi...

Mater tenera, six-part ('tender mother') is an intimate six-part motet which would enhance any Advent or Christmas service or choral programme, and would also be suitable for Marian Feasts. The piece...

Written by Tartini as a young man, this concerto offers the soloist rewarding opportunities to dazzle. In the initial Allegro, polyphonic writing alternates with virtuouso sections full of runs and do...

A solemn introductory Grave where the solo violin occasionally breaks out from the repeated chords with short cantabile sections, is followed by a fluent Allegro with difficult sounding passage work,...

Hummel's arrangement of the Piano Concerto in D major, K537, the fifth in the series to appear, was published in 1835. The lead-in (Eingänge) models that he provided are particularly valuable in the c...

A unique blend of minimalist intervallic material, colourful use of the orchestra and unrestrained emotional expressivenes.