Edition HH Limited

Highly interesting contemporary work also accessible to players with limited technique.

The title derives from the French idiom se méfier de l'eau qui dort ('be wary of the water which sleeps'), meaning: be careful, because things are seldom as they appear. The performers should embrace...

Double Act has been commissioned by The Royal Liverpool Philharmonic for Ensemble 10:10 to celebrate the tenth anniversary of the first concert of the ensemble. Funds towards the commission have been...

In this remarkably inventive work, the composer subjects the melody to a series of intervallic expansions and contractions within several diVerent tonal, and sometimes microtonal, contexts that broadl...

The Zhuangzi, a 2000-year-old Daoist text by the Chinese philosopher 'Master Zhuang', is a large collection of anecdotes, allegories and fables, many of them picturesque and of great beauty. Verwandlu...

This fascinating work combines Chinese melodic roots with extreme European complexity.

Immerse yourself in the splendid sound world of the High Baroque: The "Triple Concerto after BWV 1064" stands among the most fascinating works connected to Johann Sebastian Bach. Artfully reconstructe...

The I Ching provides a symmetrical structural base, while Rimbaud's poem 'Barbarian', with its highly emotional imagery, evokes the spatial range and temporal pace of The Clash of Icicles against the...

These vibrant preces and responses are a refreshing addition to the repertoire for choral evensong. The composer approached the text as prayers, sometimes highlighting exultation, sometimes vulnerabil...

This simple, four-part setting of the introit 'Rorate Caeli' captures both the hope and the intimacy traditionally associated with Advent. With its haunting, cascading phrases, it is a valuable additi...

Hummel's arrangement of the Piano Concerto in D major, K537, the fifth in the series to appear, was published in 1835. The lead-in (Eingänge) models that he provided are particularly valuable in the c...

Among Vienna's many composers and pianists of the time, Anton Eberl (1765-1807) was the one considered most worthy of comparison with Beethoven. His Sonata in A minor, Op. 10 No. 1, probably the third...

The present work, which has been realized and edited by the well-known British clarinettist Nicholas Cox, will be particularly suitable for reasonably advanced students of both modern and classical cl...

Joseph Bodin de Boismortier's Op. 20 sonatas for solo violin and basso continuo (1727) are the least known of all his sets of sonatas for one or more violins and accompaniment. These very fine works a...

Nirmali Fenn had already written three ensemble pieces including the accordion when Milan Osadsky asked her to create a solo work for the instrument. In The Edge of Self the composer homes in on one o...

Inspired by American poet Clayton Eshleman's reflections on the drawings of Henri Michaux, Nirmali Fenn creates a subdued yet highly expressive sound world in her latest work. The solo viola's open st...

Simon Balicourt (1706-1757), during a London career that lasted from 1735 (the year he arrived from the Continent) until his death, was a leading flautist and flute composer. He left two sets of flute...

Some Words with its theme of transformation, and transcendence was inspired by a set of four poems by Australian poet Judith Wright. Nirmali Fenn expresses in music the spatial allusions and metaphors...

Unique among Vivaldi's instrumental works is a quadro which has recently been authenticated and given the catalogue number RV 801. This work is published here for the first time in modern critical edi...

These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...