Partitions pour instruments à vent

This edition is taken from an original 18th-century manuscript, with the unfigured bass line realized by the editor. Articulation markings, ornaments, and further editorial suggestions have been added...

for Flute and Piano. General Reid (1721-1807) spent 20 years of his military career in North America. During that time he composed music, and later he established the music department at the Universit...

For over a century this work has been better known as 'the Vivaldi concerto' for Flute, Oboe, and Bassoon, but it is now coming into its own as the 'trio sonata' it indeed is, originally for Recorder,...

Originally for flute, viola da gamba, and continuo, the high viola da gamba tessitura transcribes beautifully to the violin, and with few exceptions could also be played with 2 flutes and keyboard. Th...

for Flute, Violin and Continuo. Mondonville (1711-1772), a younger contemporary of Rameau, enjoyed considerable success in his day, especially for his vocal output. Although part two of this chamber t...

Resurrected from a concerto for flute and orchestra, this resultant composition is delightful to perform.

for Piccolo and Piano. A new arrangement of an encore favorite by esteemed flutist, William Bennett.

for Piccolo and Piano. Musical pieces depicting Horwood's eight aspects of birds. Mentally and musically stimulating. Along with the printed music, there is a visual component of 127 image slides whic...

for Piccolo and Piano. A collection of three pieces: two pieces showing an unusual side of Sousa and a march. Selections include: I'll Be Waiting for You at the Gate, I Kissed You in a Dream, The Resu...

for Piccolo and Piano. Three stunning and characteristic Bartok adaptations.

for Piccolo and Piano. Written to express feelings of a tragic loss. The composer has also arranged a version of this work for Piccolo, Strings and Harp (CM-39).

A melodious original work for piccolo (or flute) and piano. A superb addition to the piccolo repertoire.

for Piccolo and Piano. Delightful dances with interesting rhythms and harmonies. Terrific for recital programs or student concerts and perfect for showcasing the piccolo. Movements include: March, Min...

for Piccolo and Piano. A wonderful opportunity to demonstrate the piccolo's versatility and virtuosity. Fun to play, excellent for programming.

for Piccolo and Piano. Pleasing, unpretentious music that is fun to play. These three pieces can be played individually or as a suite. Selections include: Down Where the Daisies Grow; The Sorcerer; Ca...

for Piccolo and Piano. A progressive collection of three solos designed to provide both practice and recital material. Movements include: Trapeze, High Wire, Somersaults (and other vaults)

for Piccolo and Piano. Premiered at the 1997 NFA Convention in Chicago. A niggun is a song without words repeated many times with slight variations in the Jewish Hassidic style. Wonderful program piec...

for Piccolo and Piano. Each of these pieces was written with young people in mind, and depict specific circumstances encountered in teaching. Composed for piccolo and piano, they are equally charming...

A bouncy, fun work for piccolo and piano. Great for students and encores.

for Piccolo and Piano. A charming, short piece inspired by the plant of the same name, also known as 'star grass,' which has a small flower that only opens in the morning, and sheds a tear when it is...

Cara Mia' is a love song originally written for solo guitar by Jeffrey Yost. It is dedicated to Jeffrey's wife, Regina Helcher Yost, and the words 'Cara Mia' mean 'my beloved.' In 2014, Regina commiss...

Scattered throughout the piece are elements of George Gershwin's Embraceable You. They appear sometimes as fragments and at other times as harmonic progressions. The storyline structure of the piece i...

Spindrift was commissioned in 1992 by Alicia Suarez in celebration of her new piccolo and was premiered by Ms. Suarez the same year. Like many of Mr. Benshoof's other compositions, this piece contains...

All Work and No Play was composed in 2007 by Daniel Felsenfeld for his friend, piccoloist Stephanie Mortimore. He describes the music as 'demented, sad, funny without ever being whimsical, driving and...

Five brief solos that make perfect recital selections or encore pieces. Each is scored for piccolo and piano, with the option of having a string trio (violin, viola, cello) in place of the piano. Incl...