Partitions pour instruments à vent

The 'Stone Suite' by Sonny Burnette is a four movement work for solo flute and flute choir, commissioned by Dr. Chris Potter, in which the soloist is to perform on a different flute for each movement....

Scenes of England' by Sonny Burnette is a four movement suite for flute choir. The first movement, The Windsor Royals, is full of regal flair, opening with a fanfare which is followed by a stately the...

A Place Far Away' opens with a timeless and ethereal mood which gives way to a more stately opening theme. Chromatic shifts in harmony and interplay between the flute and the piano make this piece a d...

Contrary to American legend, George Washington's teeth were not made of wood! The march is introduced with a revolutionary-flavor fife and drum sound followed by the form of a typical march. Since it...

Flute Fantasia, as the title suggests, follows no conventional form and is written in a through-composed style. This work for flute ensemble was commissioned by the Frederick Flute Choir (Maryland) in...

The Fandango is an animated Spanish or Spanish-American courtship dance in triple meter performed by a man and a woman playing castanets. Throughout Flute Fandango, the castanets play a repeating two-...

Cliff Palace Ghost Dance' is the first movement from the 'Stone Suite,' arranged for Alto Flute and Piano. The 'Stone Suite' is a four movement work for solo flute and flute choir, commissioned by Dr....

During his long military career with the Scottish Royal Highlanders, Gen. John Reid (1721-1807) had numerous occasions to exercise his talents as a flutist and composer. Each solo is in three movement...

Originally written for father Bach children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcribe...

Originally written for father Bach's children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcri...

Originally written for father Bach's children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcri...

In contrast with other versions of this work, this edition strikes a more balanced contrapuntal sound between the modern flute and the obbligato keyboard. Though originally attributed to J.S. Bach, it...

A flamboyant set of early 19th century variations with introduction (Fantaisie in G Major on a theme from La Cenerentola by Rossini), edited from an original period publication.

Three songs (Abendlandschaft (Evening Landscape); Desert Sunrise; Seaside Lament) based on poems by family and friends of the composer.

A collection of three rhapsodic fantasies (Aegina; Yskola; Yong) composed over a 20-year period.

The first volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794) presents the flute's emerging 'classical' style, but retains the traditional practice of figure...

The second volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). This edition features a figured bass realization by Dr. James L. Bailey. Volume II: No. 3 in...

The third volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). Kleinknecht came from a large family of musicians from Ulm, Germany. Trio Sonata No. 6, the la...

for Flute and Piano. Originally for horn and piano, this delightful short piece would make a wonderful encore.

for Flute and Piano. Originally for violin and piano and transcribed in the 19th century by Louis Drouet, this edition retains both Kuhlau's dramatic spirit and Drouet's attempts to highlight the char...

for Flute and Piano. Presented here in three volumes, Kuhlau originally composed the entire set for violin and piano. Louis Drouet's transcriptions for flute and piano were believed to have been publi...

for Flute and Piano. The second volume in this three-volume series continues the editor's wish to preserve Kuhlau's spirit, yet acknowledge the indigenous character of the flute.

for Flute and Piano. Originally in C Major, this third sonata of the three-volume series has been transposed to F Major to suit the flute better without creating problems for the piano.

Though originally composed for flute and violin, this duet is most often performed today by two flutes. It is interesting to note Bach's juxtapositioning of the first movement in E minor with the last...

Originally a violin and piano sonata, this work suits the flute beautifully. In several instances the editor has exchanged the flute part with the right hand of the piano for a more idiomatic result.