Partitions moyen pour Chœur mixte

Bruckner's simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedi...

Motet for SATB Choir A Cappella. This was Bruckner's third and best-known setting of this text.

Includes works for mixed chorus by Palestrina, Marenzio, Monteverdi and Jannequin. Edited by Egon Kraus.

SATB chorus a cappella with Soprano, Mexxo-Soprano, Tenor and Baritone soloists.

This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gently arching vocal lines, the music perfectly reflects the text's emphasis o...

This anthem for unaccompanied choir juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with 'The red rose whispers of passion' by the poet John Boyle O'Reilly. Jackson com...

This atmospheric setting of the celebrated poem 'April Rain Song' by (the Harlem Renaissance writer) Langston Hughes captures the sense of comfort and security while listening to rainfall. The ebb and...

Inspired by Rachmaninoff's All-Night Vigil, Vespers is a 12-movement English-language work in the Eastern Orthodox tradition. Suited to concert and liturgical settings, it draws from a variety of Orth...

Experience a true milestone of choral literature: Ernst Toch's legendary "Geographical Fugue", composed in 1930, pioneered the fascinating genre of "spoken music" (Gesprochene Musik). What the compose...

Gothic Horror in Musik: Diese ebenso unterhaltsame wie grusligen Kammerchorminiatur im 3/4-Takt ist eine Hommage an Alban Bergs Wozzeck, der mit der Zeile 'Ein schöner Mord, ein guter Mord' direkt zit...

Ein Schlaflied für das Jesus-Kind und 'Stille Nacht, heilige Nacht' auf Ukrainisch, mit volkstümlichen Worten, 'als seien diese gerade eben auf den Lippen der Menschen von Heute erschienen' (V. Silves...

Rachmaninov lui-même considérait ses Vêpres, connues aussi sous le titre de Vigiles nocturnes, comme l'une de ses meilleures compositions. L'oeuvre est basée sur des chants séculaires orthodoxes de st...

Giovanni Palestrina's Missa Brevis for four unaccompanied voices, has been edited and arranged for modern usage, by Henry Washington. This edition also contains a piano reduction for practice purposes...

Composed in 1972 for SATB chorus unaccompanied. Piano accompaniment for rehearsal only.

Work for six solo Voices or unaccompanied Choir. First performed by The Purcell Consort of Voices in 1974. Text: St John of the Cross.

Some of the most exciting and original contemporary composers of sacred music are gathered together in this superb collection. Specially geared towards the choirmaster who is looking for something spe...

For SATB Choir A Cappella. Edited by Patrick Little.

A Garland For Linda is an evocative and moving anthology of works for a cappella chorus to commemorate the life of Linda McCartney. Modelled on the precedent of A Garland For The Queen (1953), nine Br...

Commissioned by George Watson's College, to mark the Millennium. The work was first performed in December 2000 at St. Giles Cathedral, Edinburgh, as part of the College's Festival Of Nine Lessons And...

Composed for unaccompanied Double Mixed Chorus, these two songs were commissioned by the Swedish Broadcasting Corporation for the 75th Anniversary Concert of the Swedish Radio Choir. Based on two poem...

Unaccompanied (alto/tenor/bass)

Anthem for SATB Choir written for the St. John's Wood Church, London.

A solemn prayer setting by Peter Maxwell Davies of a text from Liber Usualis, for unaccompanied SSATB chorus. The setting was first performed in May 2005 at the St. Magnus Cathedral, Orkney, conducted...

Commissioned for the Nine Lessons and Carols service at King's College, Cambridge, December 2005.

Written for unaccompanied SATB choir. The composer writes The Open Secret is a hadith, or traditional saying of the Prophet Mohammad, attributed to Ali Ibn Abi Talib. The profundity of this hadith mov...