Partitions difficile de Blues

As recorded on John Daversa's 'Live at Catalina's', this chart is a swingy, bluesy tune built on a bass line groove in 7/4. There are solos in the guitar and alto saxophone before a trumpet solo begin...

Recorded on the John Fedchock New York Big Band's CD No Nonsense, Blue After Two is a slow blues, with subtle sophisticated harmonies placed over an after-hours roadhouse 12/8 groove. After the subtle...

Here's a burning minor blues that will certainly showcase and challenge any advanced ensemble. This chart provides more than ample solo space, and is a wonderful vehicle to feature your drummer playin...

Here's an up tempo minor blues with a bridge that works great as an opener or closer. Solo opportunities for any instrument are plentiful, and your saxophone section will enjoy working on this smokin'...

A slow Basie-style blues that is dedicated and inspired by the great Sammy Nestico, this chart starts out slow but before you know it you are building your way towards a stomping Basie shout chorus. Y...

This chart is anything but predictable and takes your band and your audience on an exciting ride, from the opening hip hop feel to the pulsating swing. Bluesy in character, this chart is filled with t...

A medium to up tempo shuffle adapted from the original recording, Friday Night at the Cadillac Club is a tenor feature with open solo opportunities for guitar and piano/organ. Guitar can be optional....

Le récit dramatique du vieux roi juif Ézéchias en blues et en rock La composition est imprégnée de la tradition de l'oratorio baroque et romantique et s'apparente formellement aux techniques de récita...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...