Partitions difficile chez Walrus Music Publishing

Chart combines bossa nova and samba feels along with 3/4 and 4/4 meters to make an interesting and harmonically complex composition. Backgrounds are provided behind the soloists. Scored for Trpt, Teno...

Solo flugelhorn. The harmonic structure is fairly complex. AAB Form. Some sax dbls.

To celebrate his move north, Berg has come up with this straight-eight composition featuring an angular line, mixed meters, and a tricky ensemble section. The horns include soprano sax, flugelhorn, an...

Here is a ballad which alternates between 4/4 and a slow swinging 3/4. This composition has heavily notated rhythm parts and complex harmonies and should be an interesting challenge for a top band. Th...

Combines a bright straight 8th feel with a predominantly minor chord structure, a lyrical melody, and a challanging ensemble chorus after the solos. It+s not a traditional blues, but the changes are u...

Arranged in the bossa nova style in which it is commonly played. Intro and ending are clock-like, and the melody is split between various players. Solos include one trombone and piano. Arrangement emp...

The melody to Jim McNeely's "Low Ball" can effectively be broken into two parts. The first features a swirling ostinato that is underpinned by a gentle half-time hip-hop feel. The second involves a mu...

Outstanding fusion chart - great for a 'power' band. No doubles. Medium difficult.

Up tempo, intense jazz/rock. No doubles. Medium difficult.

Ballad w/dbl. x feel. Featuring Flugel solo. Sax dbls. Comp. By Roger Kellaway, arr. By Rob McConnell. Recorded by Rob McConnell & The Boss Brass 'Brass Is Back'.

Fast, hard hitting. But easy R & B flavored opener to feature Alto, Tenor & Electric Guitar.

(A LOVE STORY) - Ballad with dbl-x section. Challenging Alto sax feature. No score. Recorded by the Matt Catingub Big Band on Sea Breeze Jazz, My Mommy and Me.

Beautiful medium slow swing ballad featuring your lead alto. Alto only improvises on last two fermata chords. Eight bar piano solo (written or ad-lib). Nice sax soli and soft ensemble passage ala Basi...

This is a ballad....a trombone feature written for Rob McConnell. It has a solo piano intro and lots of dynamic gradations, resulting in an emotionally charged chart. Trumpet D, Trombone B.

Beautiful contemporary groove ballad. Features Trpt & Piano. Flute dbls. Composed by Billy Mitchell, orchestrated By Paul. Recorded by the HMA Salsa Jazz Orchestra 'California Salsa Two' .

Lengthy (9+ minutes). Ballad/waltz written in honor of my cat's favorite toy, Sid the Squid - a weathered, well-loved six-legged sea creature made of foam, fur, leather, and dirt that gets 'hunted' ar...

Bluesy Trbn. Ballad in swing style w/easy ens backing, lots of independent lines for backing interments. Flugelhorns/muter Trpts. Throughout w/easy range requirements. Trpt to B, opt D, solo Trbn to C...

Fairly easy even eigth note ballad. Piano feature, all written out, but also with changes. Top trumpet note written Bb. Harmonically sophisticated and moody.

This lovely ballad from the pen of Phil Woods serves, appropriately enough, as a lengthy vehicle for your star alto saxophonist in three capacities - melody, section lead, and soloist. Following a pia...

Commissioned by the Illinois Wesleyan University Jazz Ensemble and performed by several all state ensembles to date, this chart is an alto feature. Like the title, the chart begins as a ballad and lea...

As recorded on John Daversa's 'Live at Catalina's', this is a jazz ballad enabling a sensitive jazz trumpet solo. There is an a cappella development section for the winds that alludes to classical sen...

(1982 rev. 1998) 3/4 Ballad. Flugelhorn feature. Commissioned in 1983 by the Fresno City College Jazz Ensemble. All woodwinds double on flute. Top trumpet note: written high C.

Flugelhorn feature. Tempos: Ballad, medium swing, fast swing. Meaty sax soli.

Ballad. Passing Giants was written in April of 1984. The deaths of Count Basie, Red Garland and Juan Tizol that month provoked the realization that so many of the innovators and heroes of jazz were pa...