Partitions chœur

This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section...

For SATB unaccompanied. Suitable for the seasons of Advent and Christmas or for any Marian feast, this anthem takes as its starting-point a reflective and compelling tune from Piae Cantiones, a sacred...

For SATB with divisions unaccompanied. This beutiful canticle sets a text by the distinguished American hymn-writer Thomas Troeger. Suitable for Easter and throughout the year.

For SATB with divisions unaccompanied. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a t...

Alan Smith provides a lush, floating, contemporary setting to this traditional text. Gentle and with a captivating melody, this highly accessible anthem is a true gem for the Christmas season and prov...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...

For S.A.T.B. Chorus, a cappella

From A Consort Of Choral Christmas Carols, Sab, A Cappella

S.A.B., a cappella

S.A.B., a cappella

S.A.B. Chorus, a cappella

Edited by Charles Marshall. Arranged by Charles Marshall. Mixed chorus. For SATB, Piano Rehearsal. Choral. Choral Part(s). 4 pages.

Mixed chorus. For SAB chorus (a cappella). Five Rounds on Famous Words. 20th Century. Difficulty: medium-difficult. Vocal score. Vocal score notation. 4 pages.

3 Part Mixed Voices, a cappella

Edited by Arthur Hilton. Arranged by Michael Praetorius Arthur Hilton. Mixed chorus. For SAB, Keyboard. Mercury Concert Edition of Sacred Choral Masterworks. Choral. Piano/Vocal Score. 6 pages.

A.T.B., Alto Solo, a cappella

Une méditation lente, a cappella, à partir d'un texte tiré des manuscrits de la mer Morte.