Partitions Nico Muhly pour chœur mixte

Nico Muhly's Dominus Regnavit for SATB choir and Organ. This work was commissioned by the Master and Fellows of St John's College, Cambridge, supported by a generous donation from Paul and Joanna Lind...

Nico Muhly 's Third Service (Magnificat & Nunc Dimittis) is a work for SATB Choir and Organ Accompaniment. Commissioned by the Master and Fellows of St John's College, Cambridge, it was first performe...

Sidney Grace is a short liturgical work in Latin for chorus a cappella and soprano soloist, composed for David Skinner and the Choir of Sidney Sussex College, Cambridge.

Nico Muhly’s Southwark Service is his sixth setting of the Magnificat and Nunc dimittis for Evensong. Subtitled ‘Service in Fifths’ this was written for Ian Keatley and the Choir of Southwark Cathedra...

A Missa Brevis for mixed choir and organ. Muhly’s version was commissioned by the Choir of Magdalen College, Oxford. First performed on 8 October 2023 at Magdalen College, conducted by Mark Williams,...

For mixed choir with organ this piece was commissioned by Sidney Sussex College, Cambridge, with thanks to project patron Rosamond McKitterick, and sets Psalm 8 vv. 1, 3-5, 9.

Une mise en musique du Magnificat et du Nunc dimittis, composée pour le Chœur du Magdalen College, Oxford. Créé le 29 mars 2025 par le Choir of Magdalen College, Oxford, sous la direction de Mark Will...

To Shutt Up This Circle est un hymne de 6 minutes pour SATB et orgue, commandé par les Warden et Sholars du New College, Oxford, avec le soutien du Oxford Festival of the Arts, et interprété pour la p...

Cet hymne reprend un texte du XIVe siècle, The Ascension, tiré de The Towneley Mystery Play, vers 1460. L'œuvre a été écrite pour le Choir of Magdalen College, Oxford, et a été créée le 1er juin 2025,...

Commissioned by Chanticleer and premiered in April 2022, "Beauty of the Day" is a setting of texts that capture the wonder and grandeur of the natural world, and we can't imagine a more perfect topic...

Commissioned by the Choir of Magdalen College, Oxford. A setting of Thomas Traherne from The Anticipation.

Sur un texte d'Alice Goodman (2024), d'après John of Grimestone (14e siècle), ce chant est écrit pour chœur SATB, voix d'homme en semichorus et orgue. Il a été commandé par la Harrow School et créé le...

Ce court hymne reprend le texte du poème de guerre Candlemas, 1915 d'Evelyn Underhill (1875-1941). Il a été créé le 2 février 2025 par le Choir of Magdalen College, Oxford, sous la direction de Mark W...

In the Jewish tradition, the Song of Songs is associated with love and the coming of spring. This setting is a powerful example of the highly sensual and passionate love poetry. It has long been inter...

Whispered And Revealed is a setting of H. W. Longfellow's 'Snow-Flakes' by composer Nico Muhly. It is arranged for SATB Choir and Harp, and this is the full score. The piece lasts approximately 3 and...

Nico Muhly 's A Great Stone for treble semichorus and SATB choir unaccompanied. When Joseph had taken the body, he wrapped it in a clean linen cloth, And laid it in his own new tomb, which he had hewn...

One of the world's exciting, young and creative composers, Nico Muhly has written a wonderful new choral piece that is perfect for a winter concert or any time. This work is a setting of Longfellow's...

In the Jewish tradition, the Song of Songs is associated with love and the coming of spring. This setting is a powerful example of the highly sensual and passionate love poetry. It has long been inter...

Originally for Choir, String Quartet, Percussion & Organ, with text from Leaves Of Grass. Found here arranged for SATB and Piano accompaniment.

Nico Muhly's Looking Up for SATB and Orchestra.

Nico Muhly's Looking Up for SATB and Orchestra.

A Hymn On The Nativity For Chorus, composed in 2011 by American composer Nico Muhly, is a festive work for SATB Choir and Organ setting text by Ben Jonson. It was commissioned by Dean Close School for...

In Bright Mass With Canons, the canonical motifs are present right from the beginning and carry through almost every bar of the work. There are echoes of early English Choral writing and abstracted se...