John Fedchock : Partitions difficile

Featured on Woody Herman's 1986 GRAMMY Nominated album, '50th Anniversary Tour,' this John Fedchock arrangement captures the unique elements of Thelonious Monk's composition and couples it with the ex...

This swing chart for proficient groups showcases a valuable, yet often overlooked member of the big band, the bass trombone. The melody is scored below the bass clef staff and into the pedal register,...

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpo...

Commissioned by the New York University Jazz Ensemble, this medium uptempo foray with abstract overtones features solos by tenor and piano. The opening unison brass soli, joined by saxophone counterpo...

Recorded on John Fedchock's New York Big Band recording No Nonsense. Eleven Nights is a medium bossa with contemporary harmonies, evoking images of softer Latin works by Herbie Hancock. Featuring a so...

Featuring exciting ensemble writing and solos by alto and trumpet, this energetic samba makes an excellent finale to any big band program. To enhance stylistic authenticity, Latin percussion instrumen...

This showcase for two trombones, dedicated to the late great J.J. Johnson, features moderate brass ranges and accessible up-swing rhythms. To properly complement the energetic solo lines, it should be...

Recorded on the John Fedchock New York Big Band's CD No Nonsense, Blue After Two is a slow blues, with subtle sophisticated harmonies placed over an after-hours roadhouse 12/8 groove. After the subtle...

The Third Degree is a hard-driving showcase with alternating latin & swing feels, powerful ensemble exchanges and dense, swinging orchestrations. It features solos for trumpet, tenor sax and trombone....

The Great Escape is a advanced level, uptempo swing chart first recorded by Woody Herman on his final Grammy nominated CD 'Woody's Gold Star'. The attention-getting introduction and unison opening the...

This beautiful ballad by the legendary trumpeter Freddie Hubbard was originally recorded on his 1970 album The Black Angel in small group form. This big band arrangement is courtesy of trombonist John...

On The Edge is an intense, uptempo blues recorded by John Fedchock's New York Big Band.(see otterdist.com cd section).The chart features dense voicings, rhythmically active figures and expandable solo...

Blues du Jour was designed to be a flexible piece, enabling you to feature just about any soloist in your jazz ensemble. The solo beginning at measure 33 may be played by 4th Trumpet, 2nd Alto, or 2nd...

Though primarily Latin, the groove here also has funk roots. Even though the drummer should stress downbeats using the cross-stick figure, rhythms in the ensemble suggest a 2-3 clave that should be ob...

Latin Import is a bright samba featuring solos by soprano saxophone and piano, as well as showcasing the drums in exchanges with ensemble and an exciting open solo following the shout chorus. Energeti...

Breakthrough is a medium-advanced level, uptempo modal swing chart featuring solos for piano, tenor sax, trumpet and drums. An exciting opening leads to a theme voiced for the three horns and an expan...

Featured on John Fedchock's acclaimed 'New York Big Band' CD, Nightshades is a medium tempo swing chart featuring piano, tenor sax and trombone solos, with chord changes inspired by minor blues. A sub...

This is a challenging mix of alto sax and trumpet solos, up-swing rhythm changes, hard hitting ensemble exchanges, dense orchestrations, and more. It's a natural for contest presentations and other im...

I wrote this arrangement to open my CD, 'Like It Is'. It's always been a tune on which players have loved to improvise, and I thought this unique rendition would not only give the tune a different and...