Partitions pour formations orchestrales

Harry Alshin nous offre un aperçu bien orchestré du célèbre opéra de Rossini. Les élèves prendront plaisir à jouer les thèmes qu'ils entendent peut-être depuis des années. Les premiers violons sont mi...

Cette magnifique aria romantique vous est offerte par le vénérable "Red" McLeod. Cet arrangement est à la portée technique de la main gauche de vos instrumentistes à cordes de niveau élémentaire ou in...

This Haydn quartet movement is a powerful example of the 'Storm and Stress' style (Sturm und Drang) favored by the composer in many of his famous symphonies. Set in the dark key of D minor, rhythmic a...

Often thought to be some of Haydn's best work, this symphony is perfectly set for strings with the brass and wind parts easily covered. Your students and your audience will find this excellent example...

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Basé sur la chanson folklorique autrichienne The Old Bark Hut, cet air énergique en 6/8 sera un succès auprès des élèves et du public !

In the style of moto perpetuo. Enjoyable and well written for elementary school level. Simple ideas that are fun to play.

Vivo - Hooked bows, piano needed. Most of the festivity is in the first violin part, but the other parts get a bit of the action too. Perfect for young players.

Innocent, delightful and original tunes; melodious and well written for this standard; piano optional but adds interest and is recommended if there is no bass player.

Tirée d'un choral de Bach, cette œuvre exige une écoute attentive pour une intonation précise et une observation sensible de la dynamique. Toutes les parties sont d'importance égale dans le thème du c...

Harmonic glimpses of an Irish reel, mixed with a tarantella feel make this piece lots of fun to play. Everybody gets a go at the melody.

An excellent introduction to recognition of syncopated rhythms for young string players. The piece has a good feel and, although it sounds complicated, is quite straightforward to play.

Middle school or beginning high school. This is a fun rhythmic piece with bowed and pizzicato sections. Foot stomps add to the fun and assist in learning to feel rests. Everyone gets a turn at the mel...

It is in Moto Perpetuo style and very uncomplicated. The piece uses left-hand pizzicato.

fast down bows alternating with fast up bows and 'zigzag' bowing. It is also played legato in one bow, requiring the players to save the bow and use it evenly. The piano part covers any missing parts,...

5/4 is not a time signature that appears frequently in student repertoire, yet it gives an exciting, driving force to the music. This piece requires an edgy 'off the string' style of bowing in the acc...

The rhythms used in this piece are repetitive, so will be easily learned and recognized in the future. The feel of a canon is utilized in each four-bar phrase and the melody is shared right around the...