James 'Red' McLeod

Scored for the standard quintet instrumentation, this version of Irving Berlin's classic hit calls for equal contributions from every player. Well-placed contrasts in dynamics and changes in key add m...

Originally written in 1901 by Joplin soon after he moved from Sedalia to St. Louis (Missouri), this buoyant rendering for quintet features several fun-loving trombone glisses and an authentic moderate...

Here's Scott Joplin's immortal rag in an upbeat setting for sax quartets! A modulation midway through boosts the dramatic impact it makes on everyone involved. Ample articulations and dynamic markings...

Celebrating the enduring popularity of Scott Joplin's most famous ragtime tune, this setting calls upon all players to make meaningful melodic contributions. In addition, modulations in key are used e...

Featuring clear melodic lines, classical harmonies, and the traditional sonatina form in four movements -- I. Allegro brilliante, II. Menuetto-allegretto, III. Adagio, IV. Allegro -- this contest-wort...

Written in 1908, this great ragtime classic features all the elements you'd expect -- a moderate tempo, steady beat, syncopated rhythms, and an irresistible melody. Changing dynamics and strategic art...

A collection of some of the most popular tunes of all-time arranged for easy level Violin with Piano accompaniment, by James 'Red' McLeod.

Arranged for Intermediate level Violin with Piano accompaniment, by James 'Red' McLeod.

Originally written and performed by members of the Original Dixieland Jazz Band of New Orleans in 1917, this rousing tune puts capable clarinetists through the paces in fun-loving Dixieland style. Pre...

Originally written and performed by members of the Original Dixieland Jazz Band of New Orleans in 1917, this rousing tune puts capable clarinetists through the paces in fun-loving Dixieland style. Pre...

Scored for the standard quintet instrumentation, this version of Irving Berlin's classic hit calls for equal contributions from every player. Well-placed contrasts in dynamics and changes in key add m...

Originally written in 1901 by Joplin soon after he moved from Sedalia to St. Louis (Missouri), this buoyant rendering for quintet features several fun-loving trombone glisses and an authentic moderate...

Écrite pour la première fois par les membres de l'Original Dixieland Jazz Band peu après le début du siècle, cette mélodie pétillante déborde d'énergie. Deux modulations et des niveaux dynamiques extr...

This gorgeous romantic aria has been brought to you by the venerable 'Red' McLeod. Set within left hand technical reach of your elementary or intermediate level string players, this arrangement will b...

This gorgeous romantic aria has been brought to you by the venerable 'Red' McLeod. Set within left hand technical reach of your elementary or intermediate level string players, this arrangement will b...

This gorgeous romantic aria has been brought to you by the venerable 'Red' McLeod. Set within left hand technical reach of your elementary or intermediate level string players, this arrangement will b...

Écrit en 1908, ce grand classique du ragtime présente tous les éléments que l'on peut attendre : un tempo modéré, une pulsation régulière, des rythmes syncopés et une mélodie irrésistible. Les changem...

La section Allegro de la Sonate K. 279 de Mozart arrangée pour trio de clarinettes.

Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and fu...

Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and fu...