Partitions pour chœur mixte

Tarik O'Regan's I Listen To The Stillness Of You is taken from his larger work 'Mass Observation'. Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, con...

Thomas Arne's Blow, Blow, Thou Winter Wind arranged by Desmond Ratcliffe for unaccompanied SATB choir. This work is a setting of text from As You Like It, Act 2, Scene 7 by William Shakespeare. Durati...

John Gardner's Four Rounds To Shakespeare Texts for SATB choir unaccompanied.

Henry Leslie's How Sweet The Moonlight Sleeps for SATB choir unaccompanied. This work is a setting of text from The Merchant Of Venice, Act 5, Scene 1 by William Shakespeare. Duration: approx. 2 1/2 m...

Kevin Olson's A Summer Sonnet for unaccompanied SATB choir. This work is a setting of Sonnet 18 by William Shakespeare. Duration: approx. 4 minutes. A Piano accompaniment is included for rehearsal pur...

Charles Wood' s Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest, Act 1, Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is inc...

Footsteps by Owain Park was commissioned by Tenebrae with generous assistance from Arts Council England, PRS for Music Foundation, Santander Discovery Foundation Grant, Britten-Pears Foundation and Th...

The Lullaby from 'The Unicorns' arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa....

Ce titre est extrait de la compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Ces chansons pour chœur sans accompagnement ont été écrites entre décembre 1914 et février 1915, alor...

To Seek Where Shadows Are is a work by composer Paul Mealor for Unaccompanied SATB Choir. The piece sets text from four poems by Christina Rossetti and lasts around 12 minutes.

Owain Park's For The Fallen for SSAATTBB unaccompanied choir, includes Piano accompaniment for rehearsal. Owain Park is a prize-winning composer, published byNovello. His music has been performed acr...

Six part-songs for SATB Choir A Cappella with divisions.

A first retrospective of Giles Swayne's challenging but rewarding liturgical settings. This album brings together five short religious choral settings, for mixed voices unaccompanied or with organ.

Motet for SATB Choir A Cappella, Commissioned by The Vaulkhard Choral Trust for The Choir Schools' Association and the Choir of Winchester Cathedral.

Motet for SATB Choir A Cappella, commissioned by Sam Hayes and the Choir of Queens' College, Cambridge in commemoration of Her Majesty Queen Elizabeth II becoming Patroness of Queens' College, Cambrid...

Motet for SATB Choir A Cappella, commissioned by Edward Higginbottom and the Choir of New College, Oxford.

Richard Rodney Bennett's setting of the eighteenth-century poem, The Apple Tree, for SATB chorus unaccompanied.

Commissioned by the Genesis Foundation, for The Sixteen and Harry Christophers. For SATB chorus, unaccompanied.

AATTBarBB unaccompanied choral piece with text by Richard Crashaw.

For SATB chorus unaccompanied.

Originally a Ukrainian melody, arranged here by Roy Massey with lyrics by Alick Rowe for Soprano solo and SATB chorus (unaccompanied).

For unaccompanied SATB chorus. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers. First performed June 2011 by The Sixteen, conducted by Harry Christophers. A Piano part...

A part-song for SATB Choir A Cappella setting the words of Elizabeth Barrett Browning.

The Prince of Sleep, to words by Walter de la Mare is a languid setting, capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especiallywoodland) a...

In Summertime On Bredon is a poem written by A. E. Housman in 1896 and which formed part of his famous work A Shropshire Lad, which itself gained in popularity during the First World War. Set here for...