Walrus Music Publishing

..by Bob Pilkington. Dark, moody blues inspired by the incarceration of journalist Nicholas Daniloff by the Soviet government in the 1980s. Originally scored for six brass, this version is for A/S, T,...

Strong ballad statement (inspired by Michel LeGrand), develops to a jazz waltz feel for solo(s) and returns to ballad for conclusion. Originally written for the Mark Colby CD 'Speaking of Stan', this...

Bop line to 'It Could Happen To You' changes. Line is stated by tenor sax & trumpet adding horns compliment as it progresses. Fats' Ending is quote from Navarro - Powell recording of 'Fats.' Circa 104...

Contrasting extremes in style. Happy, foot-stomping gospel section. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums

A 3/4 jazz waltz inspired by classic Flamenco dancers of Spain. Scored for (Bb/Eb/C/Bass Clef parts) Piano/Bass/Drums

Composed by Reed Kotler - Medium slow Gospel feel. Scored for Trumpet, Alto and Rhythm section. As recorded by Bobby Shew Quintet on 'Play The Music Of Reed Kotler'.

The Developing Drummer is an interactive video in a CD-Rom format designed for use by music educators as well as beginning and intermediate level dum set students. By using navigational 'buttons' that...

Lil' Darlin' type chart. Med tempo swing chart. Features Trbn solo. Guitar, & bass solos. Written for 5 tenor bones, 2 bass bones & Rhy.

Three trombones using Dixie' mutes and two bass trombones using 'Bucket' mutes set up a swinging Latin pattern for trombones I & IV to play an opening unison and harmony line for this seven and one-ha...

Beautiful melody w/written solo for Trbn III & Vi, slow 1940's fox trot feel. Written for 5 tenor, 2 bass Bones, & 4 Rhy.

Arranged in the bossa nova style in which it is commonly played. Intro and ending are clock-like, and the melody is split between various players. Solos include one trombone and piano. Arrangement emp...

This is a medium up-tempo arrangement of a popular Bill Evans swinger that features bass and drums as well as one tenor bone player. After an intro composed by the arranger, the bones play the melody...

The melody to Jim McNeely's "Low Ball" can effectively be broken into two parts. The first features a swirling ostinato that is underpinned by a gentle half-time hip-hop feel. The second involves a mu...

This chart is based on Rob McConnell's A Tribute to Art Fem'. Jazz shuffle features a guitar & bone solo. Written for 5 tenor, 2 bass bones, & rhy.'

These two standards are cleverly arranged both independently and then together in their original key of F major. Not only do both share the same key, they share the same opening notes, phrases and mel...

Though written in 1917 by Art Hickman in the ragtime era, it became immensely popular as a swing standard after the 1939 recording by Benny Goodman and his sextet which also featured (for the first ti...

Arranged for brass quintet (2 Bb trumpets with one doubling on piccolo in A, French horn, trombone, and tuba). This award winning setting of four traditional Irish folksongs has been performed by many...

Popular Folk Song from the Bahamas. First published in 1917. Orchestrated for Brass in a cooking Calypso style. The inter-locking Rhythm patterns make this a real HAND-CLAPPER. Revived in the 1960's b...

Light samba feel really cooks. Feel alternates between samba & 4/4 funky feel. Solo space for Piano,[Guitar], & 3rd bone. Contrapuntal section will tie you up a bit. Trbn quintet & Rhy section. Parts...

Cooking, Swinging arrangement of one of the most famous Hymns. Recorded by: Mahalia Jackson, Al Green and Elvis. It is most famous as the alleged last song the band on RMS TITANIC played before the th...

Also from the musical 'Bring 'Em Back!', Invisible Girl is an emotional ballad featuring a female vocalist and alto sax. A musician transported back in time to the big band era meets and falls in love...

Song featured in OSCAR Winning Best Picture, '12 YEARS A SLAVE'. One of the Very First Spirituals, first published in 1865. JORDAN was a Slave code word for the OHIO RIVER. (If you got across..you wer...

Outstanding fusion chart - great for a 'power' band. No doubles. Medium difficult.

Up tempo, intense jazz/rock. No doubles. Medium difficult.

This blues-rock tune will leave your audience screaming for more. Solos for trumpet, trombone, and alto saxophone. Vocal 'rap' for any member of the band, with a vocal chorus by the entire horn sectio...