Theodore Presser Company

Based on an Armenian troubadour song, I WILL NOT BE SAD IN THIS WORLD is a uniquely beautiful work for alto flute (or bass flute) accompanied by a pre-recorded audio track made purely from the compose...

Artistic expression always finds a way to be heard, and coping with the 2020 quarantine inspired a great torrent of new outlets for musical performance. For Samuel Adler, this sparked new compositions...

Zyman's first major work for flute, CONCERTO NO. 1 is scored for a chamber orchestra of 5 winds, timpani, and strings. With this publication, the concerto is now available in print with a performance-...

From the Largo of the Symphony From the New World Op. 95

In Part II: The Rise of Humanity from Terra Nostra, Garrop has selected text by John Gillespie Magee, Jr. which describes the nearly spiritual arrival in space ('Oh, I have slipped the surly bonds of...

TERRA NOSTRA est un oratorio qui se concentre sur la relation entre notre planète et l'humanité, sur la façon dont cette relation s'est modifiée au fil du temps et sur la façon dont nous pouvons rétab...

Edited by Abraham Kaplan. Arranged by Abraham Kaplan. Mixed chorus. For SATB Choir. Choral. Piano/Vocal Score. Opus 63. 7 pages.

Garrop's major work Terra Nostra is a contemplation of the world, from its pristine beginnings, to man's advancement across the globe and into the air, to the critical need to now come to terms with t...

Gartenlieder

Mystical, lyrical, and imbued with wonder for the beauty of nature, this movement for chorus from Stacy Garrop's monumental oratorio Terra Nostra is a striking and achievable work, written for the voi...

This is a straightforward; yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique; but is such a fine piece; it practically plays itself.

Reverie celebrates the wonderfully lyrical voices of the 'traditional' wind quintet - blending together as five singers; yet remaining distinct as individual voices. The work opens and closes as the v...

Since first composing It Takes Four to Tango in 1990 for a clarinet quartet, Dorff has been asked to transcribe/arrange the piece for various instrumental ensembles, with many of the arrangements avai...

The depth and charming inventiveness of Harberg's Suite can only be described as remarkable. Each movement has a degree of archaic inspiration (seen in the movement titles), newly stirred up into dram...

The vernacular charm and wit of Don Gillis's music provides a giddy, cartoon-like set of moods for an instrumental setting of the tortoise, the hare, and their fabled escapades. SUITE NO. 1 is a perfe...

Perfect for pops concerts, SUITE NO. 3 provides a quaint time capsule of jazz-inspired classical music from 1939, soon after Gershwin's death, and just before the hard-edged modern jazz of the 1940s....

There is a refreshing spontaneity to Samuel Adler's WIND CONVERSATIONS for woodwind quintet. The slow introduction explores the timbres of the ensemble in glowing and harmonious polyphony, while the m...

Powerfully poignant and equally tender, My Dearest Ruth is Garrop's musical setting of the final love letter from Martin Ginsburg to his wife, the opera-loving Supreme Court Justice Ruth Bader Ginsbur...

Powerfully poignant and equally tender, My Dearest Ruth is Garrop's musical setting of the final love letter from Martin Ginsburg to his wife, the opera-loving Supreme Court Justice Ruth Bader Ginsbur...

FOR SUCH A TIME AS THIS, pour narratrice/chanteuse et quatuor à cordes, est une relecture monodramatique des événements du Livre d'Esther, du point de vue d'Esther. Le récit s'articule autour d'une qu...