Oxford University Press

This attractive carol has a tuneful melody with a slight modal feel. Opening with melody alone, sung solo or in unison, the carol builds up harmonically, moving from octave thirds to the rich, occasio...

For solo voice and piano - Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette...

For solo voice and oboe - Wings of the Grasses was composed as a companion piece to A Girl's Song to her Mother. Each piece recalls the open, high moorland of South Wales. In A Girl's Song to her Moth...

This edition is complete, clear, and practical as well as being scholarly and authoritative. It returns to the primary sources to present the music and libretto as performed during the original Savoy...

For unaccompanied female voice. The five short songs which make up this work are all settings of translations of Chinese poetry from the Tang dynasty (618-906AD) and several of them are about the sepa...

This collection presents the best of Walton's music for voice and piano and provides singers with challenging and rewarding repertoire.

For voice and piano. The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in...

Counter-T (Mez/A), Klav -

This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career, until his death in 1958. The majority...

Words by William Shakespeare

Fl, E Flat Cl, 2 B Flat Cl, Alto Cl, Contra-Alto Cl, Bass Cl, Contra-Bass Cl, Bn, Alto Saxes, B Flat Saxes, Baritone Sax, Hns, Cornets, Tpts, Tbns, Euphonium, Basses, String Bass, Timp, Perc. A short...

For symphonic winds (Picc. 2. 2. 3. Bcl. Contra Bcl. 2-5Sax-4. 3. 3. 1-Euphonium-String Bass-Timps-3Perc), tuned water glasses, and amplified voice. The piece consists of nine fully notated sections w...

Conceived as a set, these eight songs are drawn from several Chinese regions (Shaanbei, Shaanxi, Yunnan, Jiangsu, Sichuan, Hunan, and Shanxi) and represent the three main genres of mountain song, work...

John Rutter's enduring popular anthem has been arranged for handbells by Mary Kay Parrish. The arrangement is suitable for three-, four-, or five-octave choirs.

This engaging musical drama follows the quest of Pip the Sparrow to be accepted into the Dawn Chorus. Along the way Pip meets characters like the Doc Rock Peacocks, who promise to transform the sparro...

For SATB and piano. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choi...

This book contains valuable practice material for candidates preparing for ABRSM's Singing for Musical Theatre exams at Grades 1-3. It features sample tests for the sight-singing requirements from 201...

The newest addition to the Voiceworks Series, Community Voiceworks is an inclusive collection for all singing groups, regardless of experience. > 43 flexible songs, from simple unison to four parts >...

Pop Goes the Cello is a dynamic set of ten original pieces suitable for intermediate players, featuring styles such as pop, rock, and Latin. These characterful vignettes are well suited to concert per...

For unaccompanied SATB.

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

This arrangement meets the demand for timeless popular songs, designed to appeal to teachers and students alike. For three-part choir, it contains that memorable tune, Joel's clever lyrics, riffs asso...

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter, which McGlade skilfully reflects...