Oxford University Press

When Breezes Blow est une expression optimiste et optimiste de la curiosité et de la croissance. L'œuvre, dont les paroles ont été écrites par le compositeur, comporte une partie de piano et une parti...

This work was inspired by the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direct...

Set to a popular text by Walter de la Mare, this secular work is an expressive homage to J. S. Bach, combining lyrical vocal lines with a contrapuntal accompaniment.

This expressive celebration of friendship sets a text by Delphine Chalmers inspired by words from French Renaissance essayist Michel de Montaigne. Eminently accessible, this piece is perfect for conce...

With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by...

A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the refrain, singers are encouraged to sign the words they are singing, resulting in profoundl...

The instrumentation is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from `a Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo low voice and piano (which may be adapted for performance on the or...

Scored for low voice and piano or organ, this is a moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, and...

Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo high voice and piano (which may be adapted for performance on the o...

Originally published in Oxford Solo Songs: Sacred, this is a popular movement from John Rutter's Requiem arranged here for solo high voice and piano (which may be adapted for performance on the organ)...

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

The orchestral material is on hire and on sale.

L'accompagnement pour cordes et percussions est disponible à la location.

This is an emotive setting of Sara Teasdale's poem 'There Will Be Rest'. Following a serene opening, the piece rises and falls through both affecting climaxes and passages of great tranquility, ending...

L'arrangement de Quartel du chant huron, rebaptisé "Iesous ahatonnia" pour refléter ses origines, présente de nouveaux textes de la poétesse wendat Andrée Levesque Sioui et invite les chœurs et le pub...

For SSA and piano. This gentle and expressive setting of John Donne's 'Catch a falling star' once again demonstrates Chilcott's ability to 'get inside a text'. His wistful melody, varied vocal texture...

For SATB and optional organ. A German translation of the traditional English carol, 'Hark! the herald-angels sing. Vocal score (German and English languages).

This piece stems from an ongoing partnership between the composer and the writer Richard George Elliott. The profound sentiments expressed in Elliot's poem about the firmament are evoked by Jackson's...

A setting of texts from Genesis, sung simultaneously in English and Hebrew. The soprano saxophone/clarinet part is printed in the vocal score. Orchestral material is available on hire.

From the carol cycle Dancing Day, and also in Carols for Choirs 4.

Rutter brings humorous chromatic inflections to this lively song that harks back to mid-century harmonies and barbershop quartets. The double bass, as presented in the composer's Birthday Madrigals, h...

Burk's setting of Recuerdo celebrates Edna St. Vincent Millay's text, retaining her emphasis on the opening phrase of each stanza and delighting in word painting. The cello lilts like waves against th...

This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different sections are set to contrasting musical ideas, including extended melismatic upper-voice passages an...