Oxford University Press

For unaccompanied chorus of mixed, men's, or women's voices. This work is written in non-standard notation.

pour SSA sans accompagnement

pour SSA et SSAA non accompagnées

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...

Skilful word-painting and rhythmic energy makes this attractive Epiphany motet by Agostino Agazzari an appealing choice for Christmastide. Offprinted from The Oxford Book of Upper-Voice Polyphony.

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

Hungarian folk song for unaccompaneid SSAA voices

This anthem for four-part unaccompanied upper voices is an exquisite and heartfelt gem.

For SSAA unaccompanied

For SSAA unaccompanied. A spirited carol, colourful and highly original.

A choral song in praise of the power of music, for unaccompanied mixed choir and solo flute. The flute introduces and comments on the phrases sung by the choir.

'Am Abend' is a setting of 'Grodek', which is thought to be the last work of the Austrian poet Georg Trakl. Written in 1913, the year before Trakl committed suicide at the age of 27, the poem is set i...

pour SATB sans accompagnement

pour SATB sans accompagnement

pour SATB sans accompagnement Ce chant comporte des sections d'ouverture et de fermeture atmosphériques entourant une section centrale joyeuse avec des signatures temporelles constamment changeantes,...

pour SATB (avec divisions) sans accompagnement Il s'agit d'un arrangement de l'air bien connu de Piae Cantiones, connu sous le nom de "Personent hodie". Carter y a ajouté des paroles entièrement nouve...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

John Henry Newman's 'Lead, kindly light' is presented here in a German translation and is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the sp...

Cette collection de huit des chants choraux sacrés les plus populaires de John Rutter, en traduction allemande, a été soigneusement compilée pour être à la fois accessible à un large éventail de chœur...

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, is presented here in German translation.

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.

for SATB unaccompanied