Oxford University Press

This piano transcription of the gentle 'Mary's Lullaby' features a newly written Epilogue, a homage to George Shearing and evoking the style of this celebrated jazz pianist. Suitable for pianists at e...

A piano transcription, made by the composer himself, of the beautiful 'Nativity Carol'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also in...

A piano transcription, made by the composer, of this secular carol, a true celebration of all that we love about the festive season. Suitable for pianists at early intermediate level, and clearly pres...

A piano transcription, made by the composer himself, of the popular 'What sweeter music'. Suitable for pianists at early intermediate level, and clearly presented and laid out, the transcription also...

Written whilst the composer was living in Comeragh Road, the litanies of the title are sixteen discrete sections of music, varying in length from two seconds to a minute. Each of these blocks has a di...

This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three br...

Experience a deeply moving and evocative setting of the beloved 23rd Psalm: "The Lord is my shepherd", published by the renowned Oxford University Press. This atmospheric work blends the rich sound of...

The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's ritornello-like alternation of chordal grandeur and rapid imitative...

O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.

Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...

This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...

The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...

Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...

Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...

This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...

Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...

The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...

Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...

Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...

Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...