Oxford University Press

With "Mary's Lullaby", published by the renowned Oxford University Press, bring a heartwarming and contemplative atmosphere to your choral performance. This enchanting piece captures the intimate mome...

The instrumental material is available on hire/rental. A different arrangement, not compatible with the instrumental accompaniment, for SSAA and piano (opt.) is only in Carols for Choirs 4.

This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its composer's finest a cappella choral work.

These two settings of the well-known texts by Marlowe and Sir Walter Raleigh are an excellent blend of old and new. The arrangement carries a madrigal feel, but includes lush harmonies with beautiful...

This setting of the well-known All Saints Day text juxtaposes flowing melodic lines in the sopranos with rich homophonic passages, each bringing the text to the fore. The organ plays a prominent role,...

A bright arrangement of a Polish traditional carol which celebrates the birth of Jesus Christ. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Carols Se...

Chilcott sets the melody of this traditional American spiritual against a whispered accompaniment in the lower parts. Richly scored for voices, this classic arrangement creates an atmosphere of magica...

This arrangement of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulates perfectly the gentle r...

Ian Crawford breathes new life into this traditional American tune by employing a bluegrass-inspired style, jaunty syncopations, and an upbeat tempo. The light but supportive piano accompaniment uses...

This edition of Rutter's popular setting of the well-known text by Robert Herrick is available here in German translation. The orchestral accompaniment is available on sale and on hire/rental.

Ravel's popular Pavane pour une infante défunte is here arranged for SATB and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Gough's arrangeme...

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that tell how the power of song can overcome dark times.

In Second Still Life the play on the word second is very apt. Not only is it scored for just two instruments (although there is also an optional tam-tam part) but the interval of a second is explored...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

The nine movements form a single choral work comprising seven pieces previously published separately and two new movements. A broad range of emotions all find their place with rich and varied musical...

Bring the heartwarming message of the festive season to the stage with "Show them you care ('cos it's Christmas)". This charming piece for mixed choir (SABar) and piano perfectly captures the spirit o...

This joyful and richly expressive choral cantata is a setting of what is often thought of as a Thanksgiving psalm or a psalm in praise of Harvest time. From its atmospheric opening through to its upbe...

The three-movement Music of the Stars offers an enlightening commentary on music's power to console and uplift in challenging times. Characterful string writing accompanies engaging vocal lines, with...

This heartfelt setting of words by the composer, with lush harmonies, moments of dynamic intensity, and an overriding sense of awe, would make an ideal centrepiece for a Christmas or Epiphany concert...

The text is that of a standard Latin Missa brevis, to which several relevant English poetic texts have been added. The first and last of these are taken from Bishop Thomas Ken's renowned morning and e...

Not no faceless Angel is a beautifully reflective work. The themes of loss and love are articulated through expressive melodic lines and touching imagery.

This short, evocative piece is built of block chords, simple diatonic melodies, and pedal notes in the left hand. It is recorded by Thalia Myers on USK 1221CD.