Oxford University Press

For violin and piano. From the first sporadic drops to showers, monsoons and drenching sheets, the instruments in this piece (the piano prepared with blu-tack) work closely together to effectively cap...

arranged for violin(s) or viola(s), and piano

For violin and piano. The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyri...

Arr Violin and Piano by Michael Mulinar

For violin or viola or cello, and piano

For unaccompanied violinThe work is in one movement and is a meditation on stone and light that begins and ends in stillness. The inner sections contain references to the final Kyrie of an 11th-centur...

In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

For solo tenor saxophone. In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

Arranged here for solo low voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.

Scored for low voice and piano or organ, this is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpinn...

A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the D...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer's Lux Perpetua, a choral work on the t...

This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.

Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...

To a text from Seeing the World, a book of poety by Dick Davies.

Comprising 4 separate 'Lamentations', this work for bass voice and theorbo takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.