Oxford University Press

For solo flute. This small-scale work would make a useful repertoire piece, bearing in mind the need to provide compatible items for groups playing the Debussy flute/harp/viola sonata.

For organ and narrator, with children's voices. This is a tale of witchcraft and sorcery in music and words, thrilling, entertaining and occasionally bizarre, and enlivened hugely by an assortment of...

This collection of Gershwin songs has been specifically arranged for players between about Grade 1 and Grade 5. The pieces are set out in approximate order of difficulty.

For flute, and harpsichord or piano

A collection of repertoire books of enjoyable, interesting, and stimulating material for use in the early stages of learning. Pieces are in chronological order, with brief notes placing them in histor...

A collection of repertoire books of enjoyable, interesting, and stimulating material for use in the early stages of learning. Pieces are in chronological order, with brief notes placing them in histor...

This is an exuberant and high-spirited work, written when the composer was nineteen. With a hauntingly beautiful contrasting slow movement, this is a fine concert piece for sutdents of about grade 7 s...

For flute and string orchestra or flute and piano. The manuscript of this work was found amongst the composer's papers after his death, and it was probably written in 1913.

For unaccompanied flute (alternating with piccolo)

Skempton's Third Magnificat and Nunc Dimittis setting was written for Wells Cathedral and premiered in May 2012. The simplicity and purity of the setting is typical of Skempton's style, ideal for male...

For solo harp. An arrangement of Scenes 5 and 12 from a projected stage-work on the life of Tchaikovsky. They are identical in structure and draw on the set of Russian folk songs that Tchaikovsky arra...

Commissioned by Internationaler Musikwettbewerb der ARD 2016, Tipsy Howl abounds with inspiring technical challenges that make it a worthwhile addition to the solo horn repertoire.

Issued to celebrate the coronation of King Charles III, this verse anthem by William Child was composed for King Charles II in 1660-3, and is published here for the first time. It contains lively solo...

Commissioned by Internationaler Musikwettbewerb der ARD 2016, Tipsy Howl abounds with inspiring technical challenges that make it a worthwhile addition to the solo horn repertoire.

Principal Horn is a single collection of superb repertoire pieces and studies for more advanced Horn players. Covering Grades 6 - 8 and with a particular focus on Grade 6 - it contains 13 pieces in a...

A show piece for solo horn, Hunding is named after the brutish and bitter woodsman in Wagner's Valkyrie, memorable for the blood-curdling nature of his horn calls.

These five pieces are taken from A Picture of the World, a setting of excerpts from the Tractatus Logico-Philosophicus by Ludwig Wittgentstein. In the larger work they occur as interludes between the...

Dancing Solo gives clarinettists an excellent chance to display their technical prowess in a widely varied, dramatic, and colourful context.

Taiping Drum for violin and piano was originally composed in 1983. This version for clarinet and piano was adapted by Professor Jun Qian in 2013. It draws on pentatonic folk tune material and is in ro...

In this collaboration with author Charles Bennett, the journey of a boat becomes a metaphor for the journey through life. The nine choral songs present their own stories within the whole, with interlu...

This album contains nine pieces from ABRSM's 2014-2017 Grade 5 Clarinet syllabus.

This album contains nine pieces from ABRSM's 2014-2017 Grade 1 Clarinet syllabus.

This album contains nine pieces from ABRSM's 2014-2017 Grade 3 Clarinet syllabus.