Oxford University Press

Subject to the Weather uses the Welsh folk song The Blackbird as its inspiration, but also references Wesley's hymn tune Aurelia: The Church's one Foundation. The music evokes country life and birdson...

Setting a beautiful text by Rabindranath Tagore, Wake, Love, Wake! explores evocative imagery and metaphors through sonorous harmonies and freedom in tempo. The resulting piece is romantic, stirring,...

Setting the well-known text by Joseph Addison, The spacious firmament is a mysterious and powerful concert work. Bullard uses a variety of textures throughout the piece, resulting in a unique and memo...

In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of Welsh hymnod...

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incant...

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano.

Suzzie Vango's exuberant arrangement of Gaudete embellishes the charm of this well-known sixteenth-century carol with an accented rhythmic ostinato and playful changes of metre. A version for mixed vo...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...

These four pieces could be considered a set of variations though the composer has spoken of them rather as photographs of the same object taken at different angles. The work as a whole is based on 'Ti...

There is also a version for organ.

Partially based on a plainsong melody, this peaceful setting of the Latin hymn text features sonorous harmonies, subtle time changes, and fluid choral homophony, with a beautiful soprano solo that flo...

This poignant choral arrangement of 'No sad thought his soul affright' from the cantata Hodie is well suited for performance in a Christmas concert or service. This two-verse piece has been transposed...

For solo viola. A transcription of Tann's evocative violin solo, inspired by the interplay of stone and light in the ancient cathedral of Brecon, Wales.

This anthem sets a text by the 17h-century Bishop Thomas Ken. The vocal parts are narrative in style and coloured by decorative organ passages. This setting would be well-suited for use on Saints' Day...

The work is divided into three self-contained groups of two to three pieces each, and reflects the composer's pleasure in writing an English style of music by evoking, in this case, the forms of song...

Larsen's beautiful piece is absolute music in a standard classical layout with an emphasis on long lyrical lines. A good piece for conservatory and university students.

Viola Time Runners is the second book in the popular Viola Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and e...

Wilberg has arranged O holy night! in the accessible key of D flat major using his signature lush textures which complement the warm, rich, and dramatic qualities found in this famous carol. Orchestra...

For viola & piano. This tiny, delicate piece has something of the Debussyian prelude about it. It deftly deals with that familiar theme of snow, not rising above a piano dynamic throughout.

For solo viola. The piece is a sympathetic glance at the Greek character and the variations take on an quasi-improvisatory feel.

For unaccompanied viola. This introduction to playing in 3rd and 2nd positions uses simple short tunes to introduce the student to the new positions. No shifting within a melody is required. The autho...

This equisite Fantasia on the timeless English folk song 'Greensleeves' was arranged for viola/cello by Watson Forbes.

Larsen's beautiful piece is absolute music in a standard classical layout with an emphasis on long lyrical lines. A good piece for conservatory and university students.

For solo viola. The music is based on the foreword to the poem Wild Grass by the father of contemporary Chinese literature, Lu Hsun. A translation of the foreword may be recited concurrently with the...