Oxford University Press

For violin, cello, contrabass, and pianoIn the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the ch...

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter. Also available in versions for s...

A simple yet subtle and thought-provoking text, written from the perspective of a child present at the Nativity, communicates the wonder of Christ's birth. Orchestral material is on hire.

Gounod's classic Christmas anthem is published here with a new arrangement of the Chorus part for SATB, alongside the Soprano and Alto soloists, Piano and optional Organ/Harmonium.

This arrangement of the well-known Christmas carol uses rich four-part harmonies with some canonic textures. This is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...

This haunting carol comprises a sequence of three rounds. It demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

Traditionally sung on Christmas Eve, 'O Virgo virginum' is often described as the eighth ‘O’ Antiphon and praises Mary, ‘O virgin of (amongst) virgins.’ McDowall's setting is vigorous and joyful, with...

The five movements are like snapshots of different landscapes whose associations trigger fleeting memories and images including shadowy allusions to Mendelssohn, Haydn, Liszt, plainsong and gypsy musi...

Inspired by Rothko canvases, this 15 minute study starts by revolving around a high D, acting as a line of centrifugal force from which microtones pull away. Gradually little interruptions and playful...

In this work, the only published completion of Grieg's Piano Quartet in B-flat, we hear how Finnissy takes Grieg's style and weaves it together with modern expression and references to Grieg's contemp...

This work can be considered a partner work to the Finnissy/Grieg Piano Quintet completion. Rather than writing in the style of Grieg, as he did with the Piano Quintet completion, Finnissy starts from...

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...

Archer's beautiful setting of this well-known text provides a wonderful alternative to more familiar versions. This charming Advent carol is also available in a version for mixed voices.

For piano quintet (violin, viola, cello, double bass, piano). The five movements are like snapshots of different landscapes whose associations trigger fleeting memories and images including shadowy al...

This work for string trio is inspired by Jean-Jacques Rousseau's Dictionnaire de Musique, with each of the three movements initiated by one of Rousseau's musical entries.

This piece owes its title and much of its elegiac but optimistic character to a poem by Mary Webb. Webb's fine lyric verse is echoed in the song-like directness and simplicity of form captured in this...

This work for string trio is inspired by Jean-Jacques Rousseau's Dictionnaire de Musique, with each of the three movements initiated by one of Rousseau's musical entries.

This two movement work is dedicated to Richard Rodney Bennett, at one time Michael Berkeley's composition teacher. A three bar theme introduces the first movement which is worked almost entirely in st...

This two movement work is dedicated to Richard Rodney Bennett, at one time Michael Berkeley's composition teacher. A three bar theme introduces the first movement which is worked almost entirely in st...

For violin, viola, and celloThis piece owes its title and much of its elegiac but optimistic character to a poem by Mary Webb. Webb's fine lyric verse is echoed in the song-like directness and simplic...

Vaughan Williams's romance for solo violin and orchestra is given new life in this beautiful arrangement. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangem...