Oxford University Press

The Oxford Choral Classic Octavos Series makes the best new editions of standard repertoire available to every choir at an attractive price. Drawing on his extensive experience of the needs of choirs...

Well known as an orchestral piece, Fauré's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891, the charmingly slight and musical...

For SATB and organ, or harp and strings, to words by John Tauler (1300-61). A tender and lovely setting which is easy to sing. Particularly appropriate for weddings. The orchestral material is availab...

An anthology of Purcell's most popular anthems, covering the whole range of full, verse, and symphony anthems. The collection consists of specially prepared performing editions, with fully realized or...

The Oxford Choral Classic Octavos Series makes the best new editions of standard repertoire available to every choir at an attractive price. Drawing on his extensive experience of the needs of choirs...

Rachmaninoff's most beautiful and familiar piece for solo voice is arranged here for SATB choir and piano.

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

Stimmenset (2 Va I, 2 Va II, 2 Vc I, 2 Vc II, 2 Kb, 1 Hfe, 2 V I ad lib., 2 V II ad lib.). Fauré's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with it...

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

'Basic Ragtime' is a collection of short movements for a small group of string players and piano. I collected them together at the request of Rodney Lister, for a performance at the New England Conser...

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

By turns charming, tender, and ironic, these songs make an excellent concert suite and wonderful encores. They are scored for voice and violin.

for unison trebles and chamber group This is the first known publication of Faure's original instrumentation (oboe, harp, organ, 2 cellos, double bass). It may be successfully performed using a string...

These delightful little classical sonatas - almost sonatinas - appeared in Lefevre's Methode de Clarinette (1802). They are technically undemanding, but they are winning in their unaffected lyric char...

Oboe and keyboard. 16 pages.

A capricious, lyrical, and nostalgic work, it is often considered to be Vaughan Williams' most successful work in this form. The first movement is pastoral in feeling. The second movement begins with...

Vaughan Williams wrote his Symphony No. 8 between 1953 and 1955, when he was in his eighties. It is his shortest symphony, and is considered by many to be his least serious. Aside from a few sombre mo...

Dans ce concerto pour piano joyeux et coloré, John Rutter reflète les nombreux univers sonores et styles qui l'ont inspiré. L'œuvre de 40 minutes, en quatre mouvements, est virtuose pour le soliste, t...