M.P. Belaieff
- Violon, Violoncelle et Piano
- Set de parties
- M.P. Belaieff
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Kein Sommernachtstraum, sondern Eine Winternachtsmusik - mit elektronisch erzeugten Windgeräuschen: 'Ein sehr leiser Winterwind, den man wie aus der Ferne von draußen durch das Fenster hört.' - so die...
Kein Sommernachtstraum, sondern Eine Winternachtsmusik - mit elektronisch erzeugten Windgeräuschen: 'Ein sehr leiser Winterwind, den man wie aus der Ferne von draußen durch das Fenster hört.' - so die...
- Violon, Piano et Synthesizer
- Conducteur et parties
- M.P. Belaieff
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- Violon, Violoncelle et Piano
- Partition piano et partie(s)
- M.P. Belaieff
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- Violon, Violoncelle et Piano
- Conducteur et parties
- M.P. Belaieff
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- 2 Pianos et Batterie
- Partition
- M.P. Belaieff
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- 3 Voix, Orgue et Timbales
- Partition
- M.P. Belaieff
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- 2 Violons, Alto, Violoncelle, Contrebasse et Piano
- Partition
- M.P. Belaieff
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The piano quartet is one of Taneev's most impressive pieces, and one of the most important in the Russian chamber music repertory. It is a 'late' work in which Taneyev's famous contrapuntal mastery re...
The piano quartet is one of Taneev's most impressive pieces, and one of the most important in the Russian chamber music repertory. It is a 'late' work in which Taneyev's famous contrapuntal mastery re...
- Violon, Alto, Violoncelle et Piano
- Partition
- M.P. Belaieff
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'Little Requiem' is a small-scale and inventive composition by a composer who is one of the most unconventional figures of his generation in Russia. He manages to produce a striking effect with rather...
'Little Requiem' is a small-scale and inventive composition by a composer who is one of the most unconventional figures of his generation in Russia. He manages to produce a striking effect with rather...
- Quatuor à cordes
- Conducteur et parties
- M.P. Belaieff
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- Quatuor à cordes
- Conducteur et parties
- M.P. Belaieff
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für hohe Stimme, 2 Klarinetten, Viola, Violoncello und Kontrabass
für hohe Stimme, 2 Klarinetten, Viola, Violoncello und Kontrabass
- Voix élevées, Clarinette, Clarinette Basse, Alto, Violoncelle et Contrebasse
- Conducteur et parties
- M.P. Belaieff
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- Basson et 4 Cordes
- Conducteur et parties
- M.P. Belaieff
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This one-movement work consists of an unusual set of double variations in which two contrasting textures take the place of what would normally be two themes. The subdued metrical and rhythmic dissonan...
This one-movement work consists of an unusual set of double variations in which two contrasting textures take the place of what would normally be two themes. The subdued metrical and rhythmic dissonan...
- 2 Violons, Alto, Violoncelle et Piano
- Partition
- M.P. Belaieff
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- Violon, Violoncelle et Piano
- Conducteur et parties
- M.P. Belaieff
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The idea for this composition was suggested by part of a poem by Anna Akhmatova: Only the mirror dreams of the mirror / Silence watches over silence . . . Two soloists (bass flute and cello) stare at...
The idea for this composition was suggested by part of a poem by Anna Akhmatova: Only the mirror dreams of the mirror / Silence watches over silence . . . Two soloists (bass flute and cello) stare at...
- Flûte basse, Violoncelle et Cordes
- Partition
- M.P. Belaieff
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- Ensemble
- Partition
- M.P. Belaieff
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- Clavecin, Vibraphone et Glockenspiel
- Partition
- M.P. Belaieff
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The work was composed in 1999 at a time when a close member of the composer's family was seriously ill. The ode of lamentation, which is about seven minutes in length, is assigned to the two instrumen...
The work was composed in 1999 at a time when a close member of the composer's family was seriously ill. The ode of lamentation, which is about seven minutes in length, is assigned to the two instrumen...
- Saxophone soprano et Alto
- Partition
- M.P. Belaieff
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Silvestrov thinks that a coda is more than something which brings a work to an end. It is one of the most important parts of a composition, or at least just as important as the other sections. His can...
Silvestrov thinks that a coda is more than something which brings a work to an end. It is one of the most important parts of a composition, or at least just as important as the other sections. His can...
- Voix (haute), Violon, Violoncelle et Piano
- Conducteur et parties
- M.P. Belaieff
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- Violon, Violoncelle et Piano
- Partition
- M.P. Belaieff
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There are two actors in the Partita: Mozart's piano, which is heard out in the open, and a harp, which acts as its backlight. A poetic idea emanates from these water-colour acoustics. It traverses thr...
There are two actors in the Partita: Mozart's piano, which is heard out in the open, and a harp, which acts as its backlight. A poetic idea emanates from these water-colour acoustics. It traverses thr...
- Piano et Cordes
- Partition
- M.P. Belaieff
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- Hautbois, Clarinette, Basson, Violon, Violoncelle, Piano et Marimba
- Conducteur et parties
- M.P. Belaieff
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- Voix moyenne, Violon, Alto et Violoncelle
- Conducteur et parties
- M.P. Belaieff
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In this, as in some of his other works, Raskatov strives to attain to a kind of timelessness. The music of 'Kaddish' (Prayer), which owes a great deal to its Hebrew origins, has certain archaic traits...
In this, as in some of his other works, Raskatov strives to attain to a kind of timelessness. The music of 'Kaddish' (Prayer), which owes a great deal to its Hebrew origins, has certain archaic traits...
- Voix élevées, 2 Violons, Alto et Violoncelle
- Conducteur et parties
- M.P. Belaieff
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The Trio is the last work composed on the basis of dodecaphonic techniques, which at the time I considered to be a way of composing lyrical music. The work has two movements (I Sonatina, II Variations...
The Trio is the last work composed on the basis of dodecaphonic techniques, which at the time I considered to be a way of composing lyrical music. The work has two movements (I Sonatina, II Variations...
- Flûte traversière, Trompette et Clavecin
- Conducteur et parties
- M.P. Belaieff
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sera expédié dans 1-2 jours ouvrables