Lauren Keiser Music Publishing

Hartke's cello concerto, 'Da Pacem', takes its title from a Latin hymn that begins 'Grant peace in our day. ' It is a reflection on these unsettled and unsettling times. As the work's protagonist, the...

Four Short Pieces was composed in 1912 and was originally written for violin or cello with piano. A number of recordings exist for these combinations as well as a version for flute and piano. This arr...

Piano Reduction.

The only concerto of its kind, Pataruco showcases the style of maraca playing found only in the folk music of Venezuela and Columbia. Versions for orchestra and wind symphony are available from the pu...

Composed for Rick Van Matre and CCM Wind Symphony. Grade V

The Girl from Shiraz was commissioned by the Pittsburgh Symphony Orchestra for Kian Soltani and Manfred Honeck. The work was premiered in Heinz Hall on February 11, 2022. Instrumentation: Solo Violonc...

Écrit à l'origine pour violon sans accompagnement, le très populaire LOUISIANA BLUES STRUT : A CAKEWALK a été enregistré par Ashley Horne sur Cedille Records Coleridge-Taylor Perkinson : A Celebration...

Alma Rose, niece to Gustav Mahler and daughter of renowned violinist Arnold Rose, became a famous violinist and founder of a popularwomen's orchestra called The Waltzing Girls of Vienna. After the Naz...

Écrite à l'origine pour piano, cette version pour clavecin est une combinaison de divers éléments musicaux : blues, mélodies folkloriques persanes, tango, etc. C'est un hommage blues à Johannes Brahms...

Premiered by Sally Chisholm (Violist, ProArte String Quartet)

A setting of the old Mexican song. Premiere with The University of Wisconsin Chorale, directed by Beverly Taylor.

This anthem for double SATB choir uses the poem of the same title by Avraham Ben Yitzakh (1883-1950), English version by Robert Mezey. It was commissioned by The Golden Bridge, Suzi Digby, music direc...

Premiered and commissioned by Voice of America' on September 11, 2003, paying tribute to the national spirit of grim determination and unity, as well as of tragedy and ominousness following 9/11.

Can be performed as a part of Poem Symphonies Set I. Inspired by the poetry of Stanley Kunitz.

Inspired by the poetry of A. R. Ammons