Hinshaw Music

This enthusiastic and energetic arrangement is one of the more popular folk songs. Written in Spanish, translation is in the cover notes

An accessible arrangement of the classic folk tune artfully arranged by Mr. Thompson

A wonderful arrangement of the great American folk songCan be performed with fiddle, bass, guitars, woodblock, and tambourineFiddle and string bass parts sold separately

Richard Smith's arrangement of this familiar folk song is perfect for a secondary chorus

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The piece starts with unison women and then is followed by four-part men,...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The melody skips from part to part and has with challenging rhythmic sect...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. Set at a quick tempo, the humor is highlighted by a variety of musical de...

For this medley, Berger chose three pieces that are well known and loved in their native land: Red Dragonflies, Sand Dunes, and This Road. Good choice for high school, college, or community groups

From our James Jordon Choral Series, this peppy folk tune is an excellent addition to any choir.

This sorrowful folk tune from our James Jordan Choral Series is a sure winner with young and old alike.

In this wonderful arrangement of the beloved shaker folksong, the voices flow over a pulsing piano accompaniment, the melody is given to a different section for each verse.

Robert Lau has arranged one of Stephen Foster's most beloved melodies in a classical setting that honors the great American composer of art song. Here in a version with keyboard, this piece will find...

Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest...

This secular gem is the arrangement of a Newfoundland folk song. The piece would work well as part of a group in your spring concert. It is suitable for high school, college, or community choirs, cont...

Folk Songs Of America is a choral cycle by Dan Forrest and this is the first installment in this ongoing series. The characterization and dialogue between the male and female singers provide a sweet d...

A second title in the Folk Songs Of America choral cycle, this 'jaunty' arrangement for mixed chorus with piano four hands and solo violin will be a hit on your spring concert. Consider programming it...

On a text of Robert Burns, Stuart Calvert sets this traditional Gaelic tune for mixed chorus and piano. Try the piece with a set of love songs on your spring concert. This is a great piece for chamber...

Canadian composer Stuart Calvert is a master with folk settings. This is no exception. Here we have a traditional Scottish melody arranged for mixed chorus with a beautiful piano accompaniment. Notice...

Scandinavian immigrants longing for home might have sung this Swedish folksong, although the theme of the text is applicable to other artings'. Scored for mixed chorus with piano (4 hands), the lyrica...

Accessible medley of popular civil war songs for secondary chorusIncludes: Kentucky Babe, Tenting Tonight, Just Before The Battle, Mother, When Johnny Comes Marching Home, and Mine Eyes Have Seen The...

Another accessible medley for secondary chorus, this one includes six beloved tunes by Stephen Foster: Camptown Races, Ring Ring The Banjo, Nelly Bly, Some Folks, Jeanie With The Light Brown Hair, and...

Penhorwood's setting of the twenty-third Psalm (Scottish Psalter version)

A very nice arrangement of the familiar folk hymn for young or inexperienced choir

With lots of canon and a cheerful tempo, this piece is fairly easy for the choir but prove more challenging for the handbell ringers, as the bells are a major part of the production.

A familiar folksong cleverly arranged by Alice Parker. By concert time your group should be able to get through it without laughing, but the audience will not!