Highland-Etling Publishing

Upon hearing the words 'Big Sky Country,' one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the s...

Upon hearing the words 'Big Sky Country,' one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the s...

Upon hearing the words 'Big Sky Country,' one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the s...

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Based upon Tchaikovsky's setting with a middle section in parallel major added by arranger Robert Sieving, this arrangement of 'Old French Melody' from Children's Album, Op. 39 is quickly accessible....

Imagine the sounds of the Arctic with this lively minor melody that evokes images of an exciting expedition through cold winds and rough ice. Each section plays the melody, evoking images of a trek th...

Imagine the sounds of the Arctic with this lively minor melody that evokes images of an exciting expedition through cold winds and rough ice. Each section plays the melody, evoking images of a trek th...

Imagine the sounds of the Arctic with this lively minor melody that evokes images of an exciting expedition through cold winds and rough ice. Each section plays the melody, evoking images of a trek th...

Adapted from Vivaldi's Lute Concerto in D Major, this arrangement for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work....

Adapted from Vivaldi's Lute Concerto in D Major, this arrangement for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work....

Adapted from Vivaldi's Lute Concerto in D Major, this arrangement for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work....

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

With its bright, hopeful melody and infectious rhythms, this original piece by Scott Watson is perfect to program for any celebratory occasion, or to open or close your concert. Optimistic harmonies a...

An original passacaglia with the melody in the bass line, this piece will challenge your basses and provide opportunities for the orchestra to work on balance and listening down. (3:20)

An original passacaglia with the melody in the bass line, this piece will challenge your basses and provide opportunities for the orchestra to work on balance and listening down. (3:20)

In 3/4, with some pizzicato and a few slurs, the minor melodies and gypsy-like quality make this a very appealing selection composed by Susan Day. The perfect piece to introduce B-flat to all sections...

In 3/4, with some pizzicato and a few slurs, the minor melodies and gypsy-like quality make this a very appealing selection composed by Susan Day. The perfect piece to introduce B-flat to all sections...

In 3/4, with some pizzicato and a few slurs, the minor melodies and gypsy-like quality make this a very appealing selection composed by Susan Day. The perfect piece to introduce B-flat to all sections...

There are not many opportunities for young string orchestras to perform repertoire in 5/8. Often, it is not encountered until much later. This piece introduces a 3+2, as well as a 2+3 feel, with splas...

The perfect grade 1 piece for beginning string students, 'Bottomless Pizz.' by Andrew H. Dabczynski requires no bows and uses only open strings and the pitches of a one-octave D scale. Remarkably simp...

The perfect grade 1 piece for beginning string students, 'Bottomless Pizz.' by Andrew H. Dabczynski requires no bows and uses only open strings and the pitches of a one-octave D scale. Remarkably simp...

The perfect grade 1 piece for beginning string students, 'Bottomless Pizz.' by Andrew H. Dabczynski requires no bows and uses only open strings and the pitches of a one-octave D scale. Remarkably simp...

Imagine a live, off-stage voice interjecting driving directions during a performance of Mozart's Eine Kleine Nachtmusik. Your audience will love this fun and educational ride as the orchestra follows...