Edwin F. Kalmus

Sergei Prokofiev (1891-1953) a dédié son CONCERTO pour piano n° 1 en ré bémol, op. 10, à son professeur Nikolai Tcherepnin. Composé dans les années 1911 et 1912, il en donna la première à Moscou le 18...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

Après la défaite de Napoléon lors de la campagne de 1813, le patriotisme allemand a connu un regain de popularité. Cette tendance a fortement influencé la poésie et la musique de l'époque. En 1814, Fr...

Après la défaite de Napoléon lors de la campagne de 1813, le patriotisme allemand a connu un regain de popularité. Cette tendance a fortement influencé la poésie et la musique de l'époque. En 1814, Fr...

The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...

The song cycle LES NUITS D'ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its fac...

Les Sept Paroles du Christ est l'un des deux oratorios de Théodore Dubois (1837-1924) et reste l'œuvre chorale la plus jouée du compositeur. Créée le 19 avril 1867 à l'église de la Madeleine à Paris,...

Les Sept Paroles du Christ est l'un des deux oratorios de Théodore Dubois (1837-1924) et reste l'œuvre chorale la plus jouée du compositeur. Créée le 19 avril 1867 à l'église de la Madeleine à Paris,...

Les Sept Paroles du Christ est l'un des deux oratorios de Théodore Dubois (1837-1924) et reste l'œuvre chorale la plus jouée du compositeur. Créée le 19 avril 1867 à l'église de la Madeleine à Paris,...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...