Boosey & Hawkes

The Green Shores of Fogo bears marks of Irish provenance, although its musical origins were lost before Kenneth Peacock collected the song from Mrs. John Fogarty in 1952. The tune, which Peacock consi...

Lindsay Kesselman's poetic words provide wonderful material for a choral art-song. The words speak of a Nature connected to people and their Souls.

This setting of Solveig's Song from Act V of Ibsen's Peer Gynt is a gentle lullaby in ABA form. It features a variety of choral textures, some alternation of meters and interplay between the mezzo-sop...

Jim Papoulis is donating his composer royalties to the Foundation For Small Voices, a non-profit organization dedicated to bringing awareness and funding to programs supporting the empowerment of chil...

The Latin poem, O Maria Maris Stella, existing in manuscript in several 13th Century codices, constitutes the text of a celebrated anonymous Marian motet. Hawley's setting allows the verse to speak th...

Jim Papoulis is donating his composer royalties to the Foundation For Small Voices, a non-profit organization dedicated to bringing awareness and funding to programs supporting the empowerment of chil...

“Ohisashi buri,” or “It's been a long time” in Japanese, is a greeting between friends. The text is a collection of shouts of encouragement, taken from four traditional Japanes...

Originally scored for SATB and String Quartet. Organ reduction included. Adapted from Dante's The Divine Comedy (Paradise, Canto II and XXXIII, translated by Laurence Binyon).

Based upon the well-known poem by Canadian poet, Bliss Carman, Vestigia explores a variety of moods and tones colours made available by the solo voice, treble choir, violin, violoncello and piano.