Boosey & Hawkes

In this setting, the text is repeated in fragments, and not in its usual three-fold form used in liturgy today. Musically, the phrases are formed in continual motion of uninterrupted breath.

John Davies' paraphrase of the 150th Psalm says much in few words and brings familiar sentiments to life in a new way. Each line of text is infused with exultation, which is echoed in the vocal fanfar...

With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.

This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!

Scored for SSAA divisi a cappella and “Guests,” the guest part is most commonly sung by another [visiting] chorus. Both parts are intended to have equal sound, one not overpowering the oth...

This fresh new arrangement was written in response to the events of September 11, 2001.

O come, O come Emmanuel is the first movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological o...

Now thank we all our God is the third movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological...

Let us break bread together is the fifth movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronologic...

With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air. With Violin and Piano.

Papageno (altos), having lost Papagena (sopranos) in the evil Sarastro's castle, sits along in the garden and prepares to take his life to end his sorrows. Three spirits appear, urging him to once aga...

A uniquely evocative setting of the Gloria. Elegant and fluid lines suggestive of Gregorian chant are changed into a freely sung soundscape of great beauty and richness.

Drawn from the English wassail tradition that brought blessings to crops and flocks, this Somerset melody is rousingly arranged for full chorus.

Originally written for The Children's Aid Society Chorus of New York City, this e.e. cummings text lends itself so nicely to the pure sound of treble voices and explores the idea of transformative inn...

A musical representation of the sonnet by Keats of the same name, this work expresses the creative process in variously musing and emphatic music.

A gentle and sensitive poem by Emily Dickinson, evoking the wait for a love's return, is tenderly shaded by DeWald's flowing melodies and graceful harmonies.

A haunting melody matched by a haunting text, in an atmosphere of hushed yet vibrant magic. This sixteenth century devotional song is particularly well-suited for Christmas or Easter performances.

Inspired by the art and spirit of early Americans in the Southwest, as well as the contemporary art of the sculptor whose poetry forms the text, this imaginative work gracefully evokes mystery and awe...