Belwin Music

One More Dream is a wonderful alto sax ballad feature played at 68 BPM. The woodwinds have various doubles for alto flute and clarinet but are optional, plus there are optional horn in F parts. This P...

Dave Wolpe is an outstanding arranger. His chart on this jazz classic features flugelhorn set in a ballad style with a swing interlude for the solo. Quality from top to bottom---great tune, great char...

Arranger Dave Wolpe features the trombone section and this swingin' jazz waltz is first class. Written out solos for bones 1/2/3, lead trumpet range goes to written A, lead bone to A. Showcase the bon...

Arranger Dave Wolpe features the trombone section and this swingin' jazz waltz is first class. Written out solos for bones 1/2/3, lead trumpet range goes to written A, lead bone to A. Showcase the bon...

Featuring the trombone section, Dave Wolpe's chart on Secret Love is outstanding! All four parts have written-out solo sections, plenty of section work and nice ensemble parts. Lead 'bone range is to...

Featuring the trombone section, Dave Wolpe's chart on Secret Love is outstanding! All four parts have written-out solo sections, plenty of section work and nice ensemble parts. Lead 'bone range is to...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

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Le paysage sonore de cette ballade pour ténor sur un air classique de Mingus est libre et plein d'âme. Le ténor solo fournit une introduction, suivie par l'ensemble luxuriant avec une suggestion de so...

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Two-Part (Opt. Three-Part Mixed) choir part available (SVM01082).

Carl Strommen has crafted a sensational patriotic concert band work with chorus that creates a great combination for your next concert. Pull all the troops together and bring a rousing flag-waver to y...

Two-Part (Opt. Three-Part Mixed) choir part available (SVM01082).

Three Christmas pop classics are seamlessly woven together in a delightful musical 'change of pace' for your winter concert by Douglas E. Wagner. Featuring 'Sleigh Ride,' 'Winter Wonderland' and 'Let...

Robert W. Smith has captured the wide variety of folk themes from Ireland in four movements. Scored for a choice of soloists or even a vocalist, this is a musical reminder of Ireland's important contr...

Commissioned by a consortium of outstanding collegiate wind ensembles, Folgore's Months features a soprano voice soloist in a contemporary setting of four movements musically depicting 'February,' 'Au...

Commissioned by a consortium of outstanding collegiate wind ensembles, Folgore's Months features a soprano voice soloist in a contemporary setting of four movements musically depicting 'February,' 'Au...

für 2 Vocalstimmen und Concert Band. As recorded by the American Idol? finalists from Season 4, 'When You Tell Me That You Love Me' is now a wonderfully versatile arrangement for your band. It can be...

Originally titled 'Rhapsody in Rivets' and inspired by the composer's emotional reaction to his native New York City, the work was premiered by the Boston Symphony with Gershwin as piano soloist in 19...

You'll have to bring in the trash for this hard-driving number! The piece employs both rock and introductory Afro-Cuban styles, but with a twist: percussionists perform on optional 'junkyard' instrume...

You'll have to bring in the trash for this hard-driving number! The piece employs both rock and introductory Afro-Cuban styles, but with a twist: percussionists perform on optional 'junkyard' instrume...

You'll have to bring in the trash for this hard-driving number! The piece employs both rock and introductory Afro-Cuban styles, but with a twist: percussionists perform on optional 'junkyard' instrume...