Bärenreiter Verlag

Flöte/ Piccolo, Oboe/ Englischhorn, Klarinette in b, Horn, Fagott - Stimmensatz

Oboe (2), Klarinette in b (2), Fagott (2), Horn (2) - Studienpartitur

Urtext de la Nouvelle Edition Mozart Oboe (2), Klarinette in b (2), Horn (2), Fagott (2) - Partition pour jouer

Urtext de la Nouvelle Edition Mozart Oboe (2), Klarinette in b (2), Horn (2), Fagott (2) - Partition pour jouer

Version sextuor (1781) et version octuor (1782 ?) d'après la Neue Mozart-Ausgabe - Sextet Version (1781) and Octet Version (1782 ?). Klarinette in b (2), Horn (2), Fagott (2) ; Oboe (2), Klarinette in...

Version sextuor (1781) et version octuor (1782 ?) d'après la Neue Mozart-Ausgabe - Sextet Version (1781) and Octet Version (1782 ?). Klarinette in b (2), Horn (2), Fagott (2) ; Oboe (2), Klarinette in...

Pavel Haas (1899-1944), one of Leoš Janácek’s most talented pupils, composed his Wind Quintet op. 10 in 1929. This work was issued by the Prague publisher Edition Sádlo in 1934, and is one of the few...

Als 'eine Art Erinnerungen an die Jugend' charakterisierte der fast siebzigjährige Leos Janacek das gerade beendete Bläsersextett in einem Brief an Kamila Stösslovß. Die Suite 'Jugend' entstand im Som...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

Camille Saint-Saëns a longtemps hésité à composer une œuvre de musique de chambre avec trompette pour son ami Émile Lemoine et son association de musique de chambre "La Trompette" : "Je peux volontier...