Alry Publications

Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transpo...

Reflexiones Espanolas is a three movement suite of works from the Spanish Renaissance, arranged for flute, guitar, and piano by P. Brent Register. The pieces included are: Pavane by Luys Milan (c. 150...

Arranged for Harp Quintet (flute, violin, viola, cello, harp) by Bob Litterell. The beautiful Adagio from Act III.

A fresh version of the ever-popular concerto. A great alternative when a full orchestra is not available. Arranged for Harp Quintet: Flute, Violin, Viola, Cello and Harp.

Four dances from one of the most popular of all classical ballets. Arranged for Harp Quintet: Flute, Violin, Viola, Cello and Harp.

The third group of choral hymns from Opus 26. Arranged for Harp Quintet: Flute, Violin, Viola, Cello and Harp.

Two traditional Irish songs (Londonderry Air; Carolan's Quarrel with the Landlady), commissioned by the Alexandria Harp Quintet. Arranged for Harp Quintet: Flute, Violin, Viola, Cello and Harp.

A holiday favorite arranged with care by harpist/arranger extraordinaire Bob Litterell. Perfect for Christmas concerts and chamber music settings. Arranged for Harp Quintet: Flute, Violin, Viola, Cell...

A holiday favorite arranged with care by harpist/arranger extraordinaire Bob Litterell. Perfect for Christmas concerts and chamber music settings. Arranged for Harp Quintet: Flute, Violin, Viola, Cell...

for Flute, Clarinet and Harp. The title Chansonnier is a French word which refers to any collection of medieval manuscripts containing songs of troubadours. The titles of the movements are derived fro...

Eugene Magalif's 'Aria' was originally written for the musical 'The Wild Hunt', however the project was canceled. On the advice of fellow flutists, 'Aria' was arranged for the flute, and has already b...

Louis deLise's Salone del Astor for Flute and Vibraphone was written for flutist Joan Sparks and premiered at the 2018 National Flute Association convention in Orlando, Florida. The movements of Salon...

Gaspard Kummer's Quintet Op.66 has finally received the attention it deserves! Editor Janice Dockendorff Boland has painstakingly researched and restored this piece, based on the facsimile edition in...

in Shadow, light', commissioned by Zart Dombourian-Eby, was composed in 1997, and premiered in Chicago at the National Flute Association convention the same year. Like many of Benshoof's other composi...

This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In thre...

Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further "improvisatory" passages following the Prelude, t...

Delightful small songs, echoing rare moments and places where the voices of birds have been clear. Scored for piccolo(s) and percussion, with optional additional parts included.

Originally for two oboes and English horn, this charming work is a great piece which can be played by winds or strings in a variety of combinations. Instrumentation: Part 1 - Flute; Part 2 - Violin (o...

Cambini is credited with 'inventing' the woodwind quintet (fl/ob/clar/horn/bsn). In his turbulent life, he composed a large number of chamber works as well as symphonies, concerti, and operas. This ed...

From 'Sonatinas for Piano,' these pieces are light and lyrical in the late classical style. A welcome addition to the trio repertoire. Instrumentation: Part 1 - Flute; Part 2 - Violin (or Flute/Oboe);...

Contrary to the common 18th-century practice of writing 'all-purpose' duets for any combination of treble instruments, these six sonatas represent authentic works written specifically for these instru...

A welcome addition to the flute/violin/viola repertoire. These are truly 'concertante' trios; all three parts are quite independent, each one bearing its share of solo and supporting roles.

Originally for piano, this edition follows the common practice of the late 18th and early 19th-centuries of producing transcriptions for multiple combinations of instruments. The editor has attempted...

for Flute and Viola. Originally for flute and violin, this edition, with the violin line transcribed to alto clef, is a welcome addition to the flute and viola repertoire.