Alry Publications

In contrast with other versions of this work, this edition strikes a more balanced contrapuntal sound between the modern flute and the obbligato keyboard. Though originally attributed to J.S. Bach, it...

A flamboyant set of early 19th century variations with introduction (Fantaisie in G Major on a theme from La Cenerentola by Rossini), edited from an original period publication.

Three songs (Abendlandschaft (Evening Landscape); Desert Sunrise; Seaside Lament) based on poems by family and friends of the composer.

A collection of three rhapsodic fantasies (Aegina; Yskola; Yong) composed over a 20-year period.

The first volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794) presents the flute's emerging 'classical' style, but retains the traditional practice of figure...

The second volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). This edition features a figured bass realization by Dr. James L. Bailey. Volume II: No. 3 in...

The third volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). Kleinknecht came from a large family of musicians from Ulm, Germany. Trio Sonata No. 6, the la...

for Flute and Piano. Originally for horn and piano, this delightful short piece would make a wonderful encore.

for Flute and Piano. Originally for violin and piano and transcribed in the 19th century by Louis Drouet, this edition retains both Kuhlau's dramatic spirit and Drouet's attempts to highlight the char...

for Flute and Piano. Presented here in three volumes, Kuhlau originally composed the entire set for violin and piano. Louis Drouet's transcriptions for flute and piano were believed to have been publi...

for Flute and Piano. The second volume in this three-volume series continues the editor's wish to preserve Kuhlau's spirit, yet acknowledge the indigenous character of the flute.

for Flute and Piano. Originally in C Major, this third sonata of the three-volume series has been transposed to F Major to suit the flute better without creating problems for the piano.

Though originally composed for flute and violin, this duet is most often performed today by two flutes. It is interesting to note Bach's juxtapositioning of the first movement in E minor with the last...

Originally a violin and piano sonata, this work suits the flute beautifully. In several instances the editor has exchanged the flute part with the right hand of the piano for a more idiomatic result.

This edition is taken from an original 18th-century manuscript, with the unfigured bass line realized by the editor. Articulation markings, ornaments, and further editorial suggestions have been added...

for Flute and Piano. General Reid (1721-1807) spent 20 years of his military career in North America. During that time he composed music, and later he established the music department at the Universit...

For over a century this work has been better known as 'the Vivaldi concerto' for Flute, Oboe, and Bassoon, but it is now coming into its own as the 'trio sonata' it indeed is, originally for Recorder,...

Originally for flute, viola da gamba, and continuo, the high viola da gamba tessitura transcribes beautifully to the violin, and with few exceptions could also be played with 2 flutes and keyboard. Th...

for Flute, Violin and Continuo. Mondonville (1711-1772), a younger contemporary of Rameau, enjoyed considerable success in his day, especially for his vocal output. Although part two of this chamber t...

Resurrected from a concerto for flute and orchestra, this resultant composition is delightful to perform.

for Piccolo and Piano. A new arrangement of an encore favorite by esteemed flutist, William Bennett.

for Piccolo and Piano. Musical pieces depicting Horwood's eight aspects of birds. Mentally and musically stimulating. Along with the printed music, there is a visual component of 127 image slides whic...

for Piccolo and Piano. A collection of three pieces: two pieces showing an unusual side of Sousa and a march. Selections include: I'll Be Waiting for You at the Gate, I Kissed You in a Dream, The Resu...

for Piccolo and Piano. Three stunning and characteristic Bartok adaptations.

for Piccolo and Piano. Written to express feelings of a tragic loss. The composer has also arranged a version of this work for Piccolo, Strings and Harp (CM-39).