Partitions pour flûte

Cortesemente from 'Sonata in A', composed by Georg Philipp Telemann and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Grandmama Tells A Ghost Story, composed by Theodor Kullak and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Romance, composed by Max Reger and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Andante alla Siciliana, composed by Saverio Mercadante and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Tell Me Lovely Shepherd, composed by William Boyce and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Hungarian Fantaisie, composed by Karl Joachim Andersen and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Sous le dôme épais from 'Lakmé', composed by Léo Delibes and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Rondo, composed by Caspar Fürstenau and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Allegro molto First Movement from 'Sonata in D, Op.6', composed by Ludwig van Beethoven and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Les regrets de la nonnette, composed by Charles-Valentin Alkan and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Andante from Sonata in G minor Op.1, No.10, composed by George Frideric Handel and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Adagio from 'Trio Sonata in A minor', composed by Carl Philipp Emanuel Bach and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Romance No.3 of Four English Sketches, composed by William Y. Hurlstone and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

In der dreisätzigen Anlage umrahmen zwei schnelle Sätze einen langsamen Satz. Der dritte Satz stellt eine Anforderung an jeden Flötisten dar: die durchweg latente Mehrstimmigkeit dieses Satzes wird du...

Johann Sebastian Bach schrieb das 'Concerto nach Italienischem Gusto' (BWV 971) für das zweimanualige Cembalo während seiner Zeit als Thomaskantor in Leipzig, wo es 1735 im Druck erschien. In einem Ko...

Extravaganza, composé par Dorothee Eberhardt en 2018, tire son nom de l'instrumentation pour laquelle la pièce a été écrite à l'origine : trompette et accordéon. Comme elle n'a pas pu être jouée dans...

4 Flutes An excellent arrangement of this famous dance. A guarantee for a successful concert!