Peter Erskine
Time Awareness for All Musicians
Peter Erskine
Time Awareness for All Musicians
- Formation Rhythmique
- Compositeur Peter Erskine
- Édition Livre et Online Audio
- Maison d’Édition Alfred Publishing
- N ° de commande ALF24438
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Description:
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group.
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group.
This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group. This book provides a handy study, practice and resource guide for all musicians who are seeking to improve their music-making abilities. Though written by a drummer, the text exercises and etudes in this book are not for drummers only! And while a good number of the exercises can be sung or played on any instrument, the reader is encouraged to tap these rhythms out: 'playing' your thighs with your hands, for example, will work just fine. The examples can be performed solo or in a small group.