Denis Lamboley
Theorie de la Musique en Bandes Dessinees
Denis Lamboley
Theorie de la Musique en Bandes Dessinees
- Formation Théorie
- Compositeur Denis Lamboley
- Édition Livre
- Maison d’Édition Gerard Billaudot
- N ° de commande BILL5503
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Description:
Analyse / Theorie
With Bartók's Fourth Quartet we are in the presence of a complex, fascinating work. This analysis wonders about the expressive possibilities of a musical language based essentially on symmetrical intervallic relations, in a modal harmonic context favouring chromatic relations. The composer succeeds in reconciling his abstract research with a narrative discourse of great intensity. Bartók establishes a bridge between contrapuntal techniques derived from Bach, thematic dramaturgy inherited from Beethoven, and the search for a new, coherent language. Such a work captivates and calls for analysis: so much formal will and rigorous writing results in music that is deeply felt and intensely human. Text in French.
With Bartók's Fourth Quartet we are in the presence of a complex, fascinating work. This analysis wonders about the expressive possibilities of a musical language based essentially on symmetrical intervallic relations, in a modal harmonic context favouring chromatic relations. The composer succeeds in reconciling his abstract research with a narrative discourse of great intensity. Bartók establishes a bridge between contrapuntal techniques derived from Bach, thematic dramaturgy inherited from Beethoven, and the search for a new, coherent language. Such a work captivates and calls for analysis: so much formal will and rigorous writing results in music that is deeply felt and intensely human. Text in French.