Advanced Rhythmic Concepts for Improvisation

A Path to Fluency in Odd Meters and Polyrhythms for All Instruments

31,99 €

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Nombre:

David Allen

Advanced Rhythmic Concepts for Improvisation

A Path to Fluency in Odd Meters and Polyrhythms for All Instruments

David Allen
Advanced Rhythmic Concepts for Improvisation

A Path to Fluency in Odd Meters and Polyrhythms for All Instruments

Formation Improvisation
Compositeur David Allen
Niveau de difficulté
(moyen)
Édition Livre et Online Audio
Maison d’Édition Mel Bay Publications
N ° de commande MB30923M

sera expédié dans 2-4 semaines

31,99 €

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Description:

Langue: anglais
Pages: 96
Parution: 01.07.2022
Poids: 320 g
Catégorie: Méthodes d'apprentissage
ISBN: 9781513468600

Advanced Rhythmic Concepts for Improvisation offers the advancing student a method to expand their rhythmic vocabulary and explore some of the more challenging aspects of the modern jazz idiom. It puts rhythm and time-feel front and center, and offers techniques for strengthening your inner metronome, enhancing your time-feel, expanding your rhythmic flexibility, and especially, learning how to improvise fluently in odd meters. The book includes over 120 audio tracks, with 52 backing tracks featuring a superb rhythm section for the student to play along with. There are multiple examples of grooves in each meter, as well as multi-meter exercises, arrangements of standards, an exploration of triplet groupings, polyrhythmic exercises, and full compositions. Includes access to online audio.

Fundamentals
Triplets: Patterns and Groupings
Example 1: Eighth-note triplets grouped in twos
Example 2: Eighth-note triplets grouped in fours
Example 3: Eighth-note triplets grouped in fours
Example 4: Eighth-note triplets grouped in fours using two arpeggios
Example 5: Quarter-note triplets grouped in twos
Example 6: Quarter-note triplets grouped in fours
Example 7: Eighth-note triplets grouped in fives
Example 8: Eighth-note triplets grouped in fives
Example 9: Triplet patterns
Example 10: Triplet patterns
Example 11: Triplet pattern as bass line Backing Track
Example 12: Triplets - rhythmic counterpoint
Example 13: Triplet groove with chords Backing Track
Example 14: African Song" upper lines"
Example 15: African Song" lower lines"
Example 16: African Song" four-part score"
Example 17: Triplet groove Backing Track
Example 18: Triplet groove
Example 19: Rhythmic counterpoint Backing Track
Example 20: Triplet groove Backing Track
Applying Rhythmic Patterns to Standard Forms in 4/4
Example 21: Dotted-Half Blues" with rhythm section"
Example 22: Just One Thing" with rhythm section"
Example 23: Dotted-Quarter Blues" with rhythm section"
Example 24: No or Yes" with rhythm section"
Example 25: No or Yes" full form with rhythm section"
Example 26: G S " in 3/4 with rhythm section"
Using Groupings and Rhythmic Layering in 4/4
Example 27: Pulsion" bass line and drums only" Backing Track
Example 28: Pulsion" A section with rhythm section"
Example 29: Pulsion" B section with bass and drums only" Backing Track
Example 29A: Pulsion" B section with rhythm section"
Example 30: Thread""
Odd Meters
Fives
Example 31: 5/4 Groove with rhythm section
Example 32: 5/4 Groove retrograde Backing Track
Example 33: 5/4 Comping rhythms
Example 34: 5/4 Comping rhythms
Example 35: Two-chord 5/4 groove Backing Track
Example 36: 5/4 Counterrhythms
Example 37: Momentum" bass line with rhythm section"
Example 38: Clave and retrograde clave with rhythm section
Example 39: Comping rhythms with rhythm section
Example 40: Comping patterns with rhythm section
Example 41: Dotted-quarter pattern with rhythm sections
Example 42: Three layers in 5/4
Example 43: 5/4 Blues" with bass and drums only" Backing Track
Example 44: 5/4 Blues" with rhythm section"
Example 45: Four variations with rhythm section
Example 46: 5/4 Chord progression Backing Track
Example 46A: 5/4 Chord progression - retrograde clave Backing Track
Example 47: Available Light" with rhythm section"
Sevens
Example 48: Samba 7" with bass and drums" Backing Track
Example 48A: Samba 7" with rhythm section"
Example 49: Group 1 comping rhythms with rhythm section
Example 49A: Group 2 comping rhythms with rhythm section
Example 49B: Group 3 comping rhythms with rhythm section
Example 49C: Group 4 comping rhythms with rhythm section
Example 49D: Group 5 comping rhythms with rhythm section
Example 50: Samba 7" up-tempo with bass and drums only"
Example 50A: Samba 7" up-tempo with rhythm section"
Example 51: Dotted-quarter pattern in 7/4
Example 52: Pattern grouped in fives
Example 53: 7/4 Clave variation
Example 54: 7/4 Retrograde clave
Example 55: Two-measure 7/4 groove
Example 56: Blues in 7/4" with bass and drums"
Example 56A: Blues in 7/4" with rhythm section Example 57: 7/4 Groove" Backing Track
Example 58: Slow swing feel in 7/4 with rhythm section
Example 59: Bass line without downbeat
Example 60: Bass line without downbeat
Example 61: 7/4 Groove with bypassed downbeat
Example 62: 7/4 Groove Backing Track
Example 63: Funk groove in 7/4 Backing Track
Example 64: 7/4 Groove with 3 layers
Nines
Example 65: 9/8 Modal vamp with two rhythms
Example 66: 9/8 Balkan rhythm
Example 67: 9/4 Modal vamp Backing Track
Example 68: Three-part invention in 9/4
Example 69: Minor Blues" in 9/4 with bass and drums"
Example 70: Minor Blues" in 9/4 with rhythm section"
Example 71: Swing feel in 9/4 with rhythm section
Example 72: Straight-8th groove with displacement
Example 73: 9/4 Groove with symmetrical chord pattern
Example 74: 9/4 Groove with chord changes and rhythm section Tens
Example 75: 10/4 Groove with rhythm section
Example 76: 10/4 Groove Backing Track
Elevens
Example 77: 11/8 Rhythm with 3 variations
Example 78: 11/8 Rhythm with two layers
Example 79: 11/8 Groove
Example 80: 11/4 Modal groove Backing Track
Example 81: Same rhythm as Example 80 with chord changes and rhythm section
Example 82: 11/4 Modal vamp Backing Track
Example 83: 11/4 Swing feel with rhythm section
Example 84: Modal groove in 11/4 Backing Track
Example 85: Groove in 11/4 with chord changes and rhythm section
Thirteens
Example 86: Modal vamp in 13/8
Example 87: 13/8 variation
Example 88: Groove in 13/4 with rhythm section
Example 89: 13/4 with rhythm section
Fifteens and Seventeens
Example 90: 15/4 Modal vamp 4/4/7 Backing Track
Example 90A: 15/4 Vamp Backing Track
Example 90B: Bass line in 15/4 Backing Track
Example 91: 15/8 Groove Backing Track
Example 92: Bass line in 15/4 Backing Track
Example 93: Same pattern with chord changes Example 94: 15/4 Swing-feel with rhythm section
Example 95: Modal groove in 17/8 Backing Track
Example 96: 17/8 Groove with rhythm section
Example 96A: 17/4 Groove
Mixed Meters
Example 97: Uneasy" with rhythm section"
Example 98: 3/3/4 Pattern with rhythm section
Example 99: 3/3/4/4" Pattern" Backing Track
Example 100: Mixed meter swing feel with rhythm section
Example 101: 5/5/2" Pattern"
Example 102: 5/5/3/3" Pattern" Backing Track
Example 103: 5/5/5/4" Pattern with rhythm section"
Example 104: 7/4 and 5/4 Pattern
Example 105: Slipping Glimpser" with rhythm section"
Example 106: Real and Imagined" with rhythm section"
Example 107: Thread" with rhythm section"
Example 108: 654" with rhythm section"
Example 109: Real and Imagined" 3/4 vamp plus 1 1/4 bass line"
Polyrhythms
Keeping a Practice Journal
Full Compositions

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Informations du Fabricant:

Mel Bay Publications, Inc.

#4 Industrial Drive
MO 63069 Pacific
Vereinigte Staaten

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David Allen
Advanced Rhythmic Concepts for Improvisation

A Path to Fluency in Odd Meters and Polyrhythms for All Instruments

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