Walton Choral

A TB/two-hand piano version of Davison's original O Sing to the Lord for TTBB choir and four-hand piano. A strong, yet accessible, concert opener. Multi-rhythms enhance the excitement of this majestic...

The incomparable Uzee Brown has set this dynamic spiritual for men's voices. Fantastic vocal writing supported by a solid piano accompaniment along with opportunities for a soloist make this an excell...

Adapted from the Gloria for SA choir, this shorter work integrates nicely into any concert program or church service. Engaging interplay of melodic lines offers a fine introduction to Vivaldi's compos...

Simple and sweet melody for high school SA voices, set to poetry by Emily Dickinson. Good balance of unison, harmony and counterpoint parts. Includes a compelling piano accompaniment.

An energetic and joyous opening for a concert or church service, this song alternates between rhythmic drive and gentle legato. Well-suited to young, developing voices.

A simple, delicate treatment of this traditional Polish carol that works well for either youth or adult treble choirs. Suitable for Christmas concerts and services, with unique but easy accompaniment...

This sensitive treatment of an anonymous Inuit text would be appropriate for concert, worship, or memorial services, with its gentle message of hope.

Widely adaptable to school and church functions, this wonderful setting of an African-American spiritual features simple vocal lines and handbell parts and a strong piano part. Incorporates call and r...

A companion piece to his earlier 'Kyrie Eleison,' Dan Davison's new 'Gloria' fulfills a needed pedagogical role for younger two-part and TB choirs, with its simple vocal lines, elementary Latin, and f...

For the more mature choirs, this is a Hebrew prayer traditionally said on Fridays upon returning from the synagogue. It depicts the dialog between an evil angel and a good angel and is in a broader se...

Music with a touch of Gershwin meets the words of master poet William Blake in this two-part treble setting of A Cradle Song. An excellent choice for your Holiday program! For good junior high school...

This work from Michael Hennagin's Five Children's Songs is suitable for children's choirs and women's choirs alike. The whimsical imagery in the text is captured beautifully in the piano accompaniment...

Autumn est la version chorale du morceau de piano solo d'Ola Gjeilo du même nom. Inspirée par la tranquillité de la nature norvégienne, l'œuvre est une méditation paisible sur l'émerveillement des sai...

The music and text of 'Crossing the Bar' evoke maritime themes of wind, waves, water and surf. The accompaniment represents the currents - both physical and emotional - that spirit us through mortalit...

A wonderful new arrangement for men's chorus of this classic patriotic song. The melody is accompanied by a rich piano part that changes throughout to reflect the spirit of the text - from flowing to...

One of the sweetest of Stephen Foster's songs, balancing nostalgia with heartfelt lament. Seems made for male chorus, with the kind of piano or guitar accompaniment that would've been found in 19th ce...

With its limited ranges and the vocal line supported by the accompaniment, this is the ideal TTB work for the Middle and High School male choir. With references to Walt Whitman's Song of the Open Road...

Set to an intriguing poem by Edgar Allen Poe, this is a nice piece for high school men's voices, with piano.

A piece of our times, which describes the fears of being at war and the yearnings for a safe place back home. Most suitable for high school men's voices, comfortable vocal range for all parts. With pi...

A great alternative to The Lord Bless You and Keep You as a choral benediction, now available for men's voices. Contains an adaptable sevenfold amen. Beautifully simple and short!

Introduce your younger students to classic choral forms with this new composition written expressly for young voices. Simple vocal lines, basic Latin, and familiar classical harmonies make this a teac...

This new male-voice setting of Shakespeare's famous text offers terrific performance possibilities. Many unison passages contrast nicely with two part sections with some optional divisi.