Hugh Wood
Ballade Op.57
for Piano
- Formation Piano
- Édition Partition
-
Niveau de difficulté
- Compositeur Hugh Wood
- Maison d'Édition Chester Music
- N ° de commande CH79926
Description:
'The music of Chopin is a revelation which came disgracefully late in my life. To admire is one thing; to try to emulate is quite another: and all that I have borrowed here is a title. Perhaps memories of Joanna MacGregor performing the Fourth Ballade very beautifully long ago played a part in the naming. But to define what a Ballade should or should not be is quite beyond me: after all, Chopin and Brahms both came to quite different conclusions. I just like the old, rather poetic word.
A fanfarish beginning ends in a falling arpeggionic cascade which will recur in varied form at turning points throughout the piece. A major third emerges, to become the accompaniment to the main lyrical melody which becomes more and more decorated until it ends with a second cascade. The tune resumes more urgently against an undulating semiquaver accompaniment. A bigger climax suddenly gives way to a reminiscence of one of the opening figures and then introduces alla recit. , a new motif. But immediately the main melody continues - this time getting gradually calmer, quieter and sweeter - until the new motif takes over in a passage of 6 and is more fully worked out.
From very high up, the opening fanfares are heard in the distance, and a faster tempo brings a more vigorous passage, culminating in the biggest and most climactic of the cascades. This might be the end of the piece, but it is not. A sequence of soft, velvety chords rises up, eventually to reveal the original major third. Four phrases of the opening melody are then heard over it in their plainest form. ' - H. W.
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