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Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...
Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...
- Piano
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- Oxford University Press
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Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...
Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...
- Piano
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- Oxford University Press
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Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...
Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...
- Piano
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- Oxford University Press
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This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....
This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....
- Piano
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- Oxford University Press
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This short light-hearted piece celebrates NHS fundraiser Captain Tom Moore on his 100th birthday. With a march-like feel and a bouncy swing, this is perfect for beginners craving a jazzy beat.
This short light-hearted piece celebrates NHS fundraiser Captain Tom Moore on his 100th birthday. With a march-like feel and a bouncy swing, this is perfect for beginners craving a jazzy beat.
- Piano
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- Oxford University Press
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A perennial favourite from Pianoworks: Book 2, this reflective Allegretto by Janet Bullard is in 5/4 time and features changing time signatures, providing ideal material for the developing pianist.
A perennial favourite from Pianoworks: Book 2, this reflective Allegretto by Janet Bullard is in 5/4 time and features changing time signatures, providing ideal material for the developing pianist.
- Piano
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- Oxford University Press
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Immerse yourself in the distinctive flair of the 1920s: With "Blue Cheese", Oxford University Press presents a charming solo piano piece by Alan Bullard, celebrated as a perennial favourite from the a...
Immerse yourself in the distinctive flair of the 1920s: With "Blue Cheese", Oxford University Press presents a charming solo piano piece by Alan Bullard, celebrated as a perennial favourite from the a...
- Piano
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- Oxford University Press
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A perennial favourite from Pianoworks: Book 2, this easy yet effective arrangement of the popular 'New World' melody captures all the majesty of Dvořák's original. Arranged by Janet & Alan Bullard.
A perennial favourite from Pianoworks: Book 2, this easy yet effective arrangement of the popular 'New World' melody captures all the majesty of Dvořák's original. Arranged by Janet & Alan Bullard.
- Piano
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- Janet Bullard Alan Bullard
- Oxford University Press
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A perennial favourite from Pianoworks: A Night at the Theatre, this easy yet attractive arrangement captures the essence of the bird-catcher's celebrated aria. Arranged by Janet & Alan Bullard.
A perennial favourite from Pianoworks: A Night at the Theatre, this easy yet attractive arrangement captures the essence of the bird-catcher's celebrated aria. Arranged by Janet & Alan Bullard.
- Piano
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- Alan Bullard
- Oxford University Press
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A perennial favourite from Pianoworks: A Night at the Theatre, this easy arrangement makes one of ballet's most famous melodies accessible to the developing pianist. Arranged by Janet & Alan Bullard.
A perennial favourite from Pianoworks: A Night at the Theatre, this easy arrangement makes one of ballet's most famous melodies accessible to the developing pianist. Arranged by Janet & Alan Bullard.
- Piano
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- Alan Bullard
- Oxford University Press
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A perennial favourite from Pianoworks: Popular Styles, this evocative piece uses crossing hands, pedal, and tempo change to mirror the sycamore seed delicately rising and falling in the breeze. Arrang...
A perennial favourite from Pianoworks: Popular Styles, this evocative piece uses crossing hands, pedal, and tempo change to mirror the sycamore seed delicately rising and falling in the breeze. Arrang...
- Piano
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- Oxford University Press
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A perennial favourite from Pianoworks: Collection 1, this easy yet effective arrangement of one of the most beautiful slow movements captures all the majesty of Mozart's original. Arranged by Janet &...
A perennial favourite from Pianoworks: Collection 1, this easy yet effective arrangement of one of the most beautiful slow movements captures all the majesty of Mozart's original. Arranged by Janet &...
- Piano
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- Janet Bullard Alan Bullard
- Oxford University Press
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A tribute to health and care professionals, this lyrical ballad is inspired by the song 'Somewhere over the rainbow', and is for pianists of modest ability and of all ages.
A tribute to health and care professionals, this lyrical ballad is inspired by the song 'Somewhere over the rainbow', and is for pianists of modest ability and of all ages.
- Piano
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- Oxford University Press
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Originally published in Jazz in Autumn, this is a beautiful original waltz with swung quavers and lilting melodies.
Originally published in Jazz in Autumn, this is a beautiful original waltz with swung quavers and lilting melodies.
- Piano
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- Oxford University Press
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From the collection Jazz in Springtime, 'May Song' is an arrangement of a popular folk tune by celebrated jazz pianist Nikki Iles. Introducing folk harmony while preserving the lyricism of the origina...
From the collection Jazz in Springtime, 'May Song' is an arrangement of a popular folk tune by celebrated jazz pianist Nikki Iles. Introducing folk harmony while preserving the lyricism of the origina...
- Piano
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- Oxford University Press
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From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...
From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...
- Piano
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- Oxford University Press
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A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...
A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...
- Piano
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- Leonard Borwick
- Oxford University Press
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This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...
- Piano
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- Leonard Borwick
- Oxford University Press
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Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...
- Piano
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- Gerald M. Cooper
- Oxford University Press
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This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...
- Piano
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- Hubert J. Foss
- Oxford University Press
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This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...
- Piano
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- Oxford University Press
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This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...
- Piano
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- Norah Drewett de Kresz
- Oxford University Press
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Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...
- Piano
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- Herbert Murrill
- Oxford University Press
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Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...
- Piano
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- Dorothea Salmon
- Oxford University Press
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This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...
- Piano
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- William G. Whittaker
- Oxford University Press
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Partitions pour piano
Niveau de difficulté : partitions de piano pour débutants, intermédiaires et confirmés
Styles & genres : des succès actuels du top 50 aux plus grandes musiques de film
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