Partitions pour orgue intermédiaire

The Ode For St. Cecilia's Day is a cantata written in 1739 by G F Handel. The March was the sixth of its twelve movements. Originally scored for chamber orchestra, it has been arranged herefor Organ b...

The Occasional Overture is a piece of two parts, the first meditative and singing with the dotted rhythms that denote grandeur, while the march is confident of victory. Handel composed the Occasional...

Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth century Europe and an influential composer in the Dutch and North German tradition. Bridging both Renaissance and Baroque s...

Although Franck's output for the organ was small, it was influential. This volume contains his best-known works for organ, including Six Pieces (Liszt ranked them with the masterpieces of Bach), Trois...

This volume in the series 'Les Éditions Originales Durand - Salabert - Eschig' contains Maurice Duruflé's works for organ taken from the editions in Durand catalogue. The original engravings are repro...

An organ transcription of a well-known Tchaikovsky waltz. Very useful for concert or recital use.

Benedictus (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Canon (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Capriccio (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Fuge (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Gloria In Excelsis (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Intermezzo (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Kyrie Eleison (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Melodia (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Pastorale (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Praeludium (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Te Deum (from 'Twelve Pieces' Op.59, Vol II), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Toccata (from 'Twelve Pieces' Op.59, Vol I), composed by Max Reger for solo organ in digital sheet music format [EP11593].

Widmung an die Flötistin Karin Schmidt-Eisener. 'Tonal freier, aber überschaubarer Stil, der Dissonanzen nicht scheut, dennoch aber eine spürbare tonale und rhythmische Basis zeigt'. (Siegener Zeitung...

Die Praeludien und Fugen op. 16 sind Ergebnisse intensiver Kontrapunktstudien, die Clara und Robert Schumann im Jahre 1846 gemeinsam betrieben.

Erste Spielausgabe des bisher unveröffentlichten Streichquartetts. 'Noch nie ist mir in Musik vor Wagner und Liszt (Fanny starb 9 Jahre vor der Vollendung von Wagners 'Tristan und Isolde') eine derart...

Maria Rosa Coccia (1759-1833), a contemporary of Mozart's, was born in Rome, the city in which she also received her musical training. She became a member of the Accademia Filarmonican in Bologna. She...

1989 Gedok-Preis der Stadt Mannheim. Die kompositorische Idee folgt der Vorstellung eines Meteoriten, der sich aus dem sphärischen Wirbel löst und zur Erde hin bewegt.

Die Praeludien und Fugen op. 16 sind Ergebnisse intensiver Kontrapunktstudien, die Clara und Robert Schumann im Jahre 1846 gemeinsam betrieben.