Giacomo Puccini
Edizione Nazionale delle Opere di Giacomo Puccini. II. Instrumentalmusik; 2.1 Werke für Orgel
Edizione Nazionale delle Opere di Giacomo Puccini: 2. Instrumental music (Vol. II/2)
Giacomo Puccini
Edizione Nazionale delle Opere di Giacomo Puccini. II. Instrumentalmusik; 2.1 Werke für Orgel
Edizione Nazionale delle Opere di Giacomo Puccini: 2. Instrumental music (Vol. II/2)
- Formation Orgue
- Compositeur Giacomo Puccini
- Éditeur Virgilio Bernardoni
- Édition Partition
- Maison d’Édition Carus-Verlag
- N ° de commande CV56003-00
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Description:
- Langue: allemand anglais italien
- Pages: 148
- Parution: 01.12.2018
- Catégorie: Orgue sans pédale
- Genre: Musique classique, Musique classique (romantisme)
The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now.
Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time.
This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into 'bass' and 'soprano'.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy.
Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time.
This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into 'bass' and 'soprano'.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy.
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N. 1 in Sol maggiore Parafrasi su 'Questa o quella' - SC Appendix II.1
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N. 2 in Sol maggiore
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N. 3 in Sol maggiore
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N. 4 in Re maggiore
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N. 5 in Re minore
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N. 6 in Sol maggiore
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N. 7 in Sol maggiore
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N. 8 in Re maggiore Marcia e Valzer
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N. 9 in Re maggiore
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N. 10 in Sol maggiore
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N. 11 in Sol maggiore
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N. 12 in Sol maggiore
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N. 13 in Sol maggiore
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N. 14 in La maggiore
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N. 15 in Sol maggiore
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N. 16 in Sol maggiore
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N. 17 in Re maggiore
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N. 18 in Sol maggiore
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N. 19 in Re maggiore
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N. 20 in Sol maggiore
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N. 21 Marcia in Do maggiore
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N. 22 Versetto in Mi minore
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N. 23-24 Versetti in Sol maggiore
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N. 25-26 Versetti in La maggiore
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N. 27-32 Sei Versetti in Fa maggiore
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N. 33-38 Sei Versetti in Mi minore
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N. 39-44 Sei Versetti in La minore
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N. 45 Marcia per organo in Re maggiore
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N. 46 Offertorio in Re maggiore
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N. 47 Postcommunio in Sol maggiore
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N. 48-51 Kyrie in Re maggiore
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N. 52-55 Gloria in La minore
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N. 56 Elevazione per organo in Sol minore-magiore
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N. 57 Pastorella gravida in Sol maggiore
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Giacomo Puccini
Edizione Nazionale delle Opere di Giacomo Puccini: 2. Instrumental music (Vol. II/2)
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