Partitions pour piano, orgue et accordéon

Kalevi Aho's Solo XVII is a real clavichord work: it handles the instrument in its own special way, which is different from that of a piano or harpsichord. Solo XVII is in two main sections. The first...

Solo keyboard adaptations of Handel's orchestral music were common during the 18th century, although few have matched the idiomatic command and interest achieved by the present text. Dating from the m...

In enger Zusammenarbeit mit dem ausgezeichneten Cembalisten Alexander Gergelyfi entstand Anfang 2020 das Werk ENTGLEISUNG. Ziel war es, in kurzen, ausdrucksstarken Sätzen Szenen drastischer Gewalt seh...

The Concerto IGW 50 for four harpsichords by Georg Christoph Wagenseil (1715-1777) is unique within the harpsichord repertoire, being in fact the only composition known today for this ensemble. Concer...

Composed for a friend and fellow graduate student at Juilliard, this displays Ewazen's 1980 serial technique in the first two movements, while the third movement arises from his newfound love of the m...

Eric Ewazen's THREE INVENTIONS were inspired by Bach's Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen's inventio...