Partitions pour piano, orgue et accordéon

Anton Arensky studied composition under Rimsky-Korsakov and subsequently taught Scriabin, Rachmaninov and Gretchaninov. This edition contains his twelve preludes, Op. 63, first published in 1903.

Sammlungen und Einzelwerke - Klavier

12 variations dans le style de : Rameau, Bach, Mozart, Beethoven, Schubert et Mendelssohn

12 variations dans le style de : Schumann, Chopin, Brahms, Debussy, Ravel et Poulenc

The many patterns of swirling sand created by the wind are the images reflected in this solo. Written in D minor, the drama is intensified by the chromatic rise in the tenor voice and the ¾ meter. Tee...

by Joyce Schatz Pease: Covering a variety of moods and keys, this musically appealing album is filled with recital showstoppers. The upbeat, syncopated Hot Dish Rag, the mysterious Haunted Ballroom, t...

Paper of Pins - Alouette - Down in the Valley - Cradle Song - Polka - The Happy Farmer - Country Gardens - March - Having Fun! (teacher and student) and more.

Minuet in D (from Divertimento K. 334) - Gavotte (from French Suite No. 5) - Two Country Dances - To a Wild Rose - Two Guitars - Londonderry Air - Marche Militaire - The Clown and more.

Hornpipe - Tambourin - Two Waltzes - Four Ecossaises - The Easy Winners - A Ragtime Two-Step - Spanish Marionetttes - Italian Polka and more.

Pianists love big, brilliant, showy pieces with the sound of dazzling virtuosity. Denes Agay delivers with this flashy three-movement late-intermediate level sonatina, featuring catchy melodic lines o...

A wonderful collection of waltzes, tangos and polkas from Beethoven to Joplin, Alberniz to Agay.

Composed in 1953. 1st performance in Wigmore Hall, London March 1957 by Eric Parkin. Duration 13 minutes.

Pieces For Angela is a collection of eight exquisite miniatures for the Piano, written in 1966 by Kenneth Leighton. Intended for children, they are perhaps best suited for gifted amateurs. On the face...

Written and first performed by the composer in 1955.

From Virtuoso Series with Commentary by John Ogden.